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Orchestral work by Pierre Boulez
Polyphonie X (1950–51) is a three-movement composition by Pierre Boulez for 18 instruments divided into seven groups, with a duration of roughly 15 minutes
Polyphonie_X
Musical melody on which a composition is based
include Erwartung. Examples in the works of later composers include Polyphonie X and Structures I by Pierre Boulez, Sonata for Two Pianos by Karel Goeyvaerts
Subject_(music)
and small orchestra, Rolf Liebermann's Piano Sonata, Pierre Boulez's Polyphonie X for 18 solo instruments, Hermann Reutter's Der himmlische Vagant, lyrische
1951_in_music
Use in music of microtones (intervals smaller than a semitone)
serial music with quarter tones in his pieces Le Visage nuptial and Polyphonie X, but soon after abandoning microtonal elements) Karlheinz Stockhausen
Microtonality
French composer and conductor (1925–2016)
In October 1951, a substantial work for eighteen solo instruments, Polyphonie X, caused a scandal at its premiere at the Donaueschingen Festival, some
Pierre_Boulez
Pianos (1948); revision of the quartet for Ondes Martenot; withdrawn Polyphonie X for ensemble (1950–51); withdrawn Oubli signal lapidé for 12 solo voices
List of compositions by Pierre Boulez
List_of_compositions_by_Pierre_Boulez
Four Norwegian Moods March 15, 1945 Paris Same as above. Pierre Boulez Polyphonie X October 6, 1951 Donaueschingen Musicologist Antoine Goléa, who attended
List of classical music concerts with an unruly audience response
List_of_classical_music_concerts_with_an_unruly_audience_response
Composition by Pierre Boulez
the composer of modernist and serialist works such as Structures I, Polyphonie X, as well as his infamously "unplayable" Second Piano Sonata. Le Marteau
Le_Marteau_sans_maître
Compositions by Pierre Boulez
was begun in early 1951, as Boulez was completing his orchestral work Polyphonie X, and finished in 1952. It consists of three movements, or "chapters"
Structures_(Boulez)
Italian composer and conductor
1961) Figures—Doubles—Prismes (Residentie Orkest, Stradivarius, 1968) Polyphonie X (Orchestra delle RAI, Stradivarius, 1953) Johannes Brahms: Double concerto
Bruno_Maderna
hébraïque Karl-Birger Blomdahl – Symphony No. 3 Facetter Pierre Boulez – Polyphonie X Le soleil des eaux, for soprano, chorus and orchestra (second version)
1950_in_music
Poésie pour pouvoir, for tape and 3 orchestras (1955/58, withdrawn) Polyphonie X (1950–51) Sonata No. 1, for piano (1946) Sonata No. 2, for piano (1947–48)
List of dodecaphonic and serial compositions
List_of_dodecaphonic_and_serial_compositions
would continue these experiments in the works that followed, namely Polyphonie X, Deux Études for tape, and the first book of Structures. Livre pour quatuor
Livre_pour_quatuor
composition Punkte, as well as of his friend Pierre Boulez's 1951 work Polyphonie X—a criticism for which Boulez seems to have forgiven Stockhausen. Kontra-Punkte
Kontra-Punkte
(1975). Thesaurus of Scales and Melodic Patterns, p. 243. ISBN 0-8256-1449-X. Jurkowski, Edward (2004). The Music of Joonas Kokkonen, pp.78, 84, 184. ISBN 9780754607892
List_of_tone_rows_and_series
movement features use of quarter-tones in the string parts. Pierre Boulez Polyphonie X (1951). Le Visage nuptial (1946). Julián Carrillo Capricho for piano
List_of_quarter_tone_pieces
Swiss music theorist (1886–1946)
linearen Kontrapunkts: Einführung in Stil und Technik von Bachs melodischer Polyphonie (Berne, 1917, 5/1956/R) Zur Motivbildung Bachs, BJb 1917, 80–136 Romantische
Ernst_Kurth
1871 Bach arrangement by August Wilhelmj
te zetten, waarbij zoowel de evenwichtige polyphonie als de teere stemming vandalistisch vernield werden. — X-Y-Z der muziek (1939) Translation: The "Air"
Air_on_the_G_String
Literarische Polyphonie. Übersetzung und Mehrsprachigkeit in der Literatur (ed. with J. Strutz), Narr, Tübingen, 1996 ( ISBN 3-8233-5163-X); Vergleichende
Peter_V._Zima
New Oxford History of Music, Vol. 1: Ancient and Oriental Music; Antike Polyphonie". Gnomon. 30 (4): 243–247. ISSN 0017-1417. JSTOR 27681794. Purton, V.
Isobel_Henderson
Manuscript containing Renaissance music
Reyes Católicos, MME, i, 1941 Anglès, Higinio. Un manuscrit inconnu avec polyphonie du XVe siècle conservé à la cathédrale de Ségovie, AcM, viii, 1936 Sohns
Cancionero_de_Segovia
Spirgi, Dominique. 2016. "Stockhausen-Spektakel im Theater: 'Ekstase der Polyphonie in der Himmelfahrt'". Tages Woche (26 June) (accessed 28 June 2016). Sulpício
Donnerstag_aus_Licht
POLYPHONIE X
POLYPHONIE X
Male
Greek
(ΞÎÏξης) Greek form of Persian Xsayarsa, XERXES means "great warrior" or "lion-king." In the bible, this is the name of a king of Persia. His Hebrew name is Achashverosh.Â
Male
German
German form of Basque Xavier, XAVER means "a new house."
Girl/Female
Spanish
Bright; splendid. Feminine of Xavier.
Girl/Female
British, English
Feminine of Xrist; Grateful
Female
Spanish
 Diminutive form of Spanish Eugènia, XÈNIA means "well born." Compare with another form of Xènia.
Female
Spanish
Feminine form of Spanish Guiomar, possibly XIOMARA means "famous warrior."
Male
Spanish
Spanish form of Basque Ximun, XIMEN means "hearkening."Â
Female
English
Elaborated form of English Xylia, XYLINA means "forest-dweller."
Male
Greek
(ΞÎνων) Greek name derived from the word xenos, XENON means "foreigner; stranger."Â
Female
Greek
(Ξανθίππη) Feminine form of Greek Xanthippos, XANTHIPPE means "yellow horse." In mythology, this is the name of a daughter of Doros.
Male
Greek
(Ξάνθος) Greek name XANTHOS means "yellow" or "blonde." In mythology, this is the name of one of two immortal horses (the other named Balios) belonging to Achilles. They were the offspring of the harpy Podarge and the west wind Zephyros.
Male
Spanish
Mexican form of Spanish Ximen, XIMENEZ means "hearkening."Â
Girl/Female
Indian
From the Farming Land; Femaine of Xoin
Female
Spanish
Feminine form of Spanish Ximen, XIMENA means "hearkening."Â
Male
Italian
Italian form of Basque Xavier, XAVIERO means "a new house."
Male
Spanish
Spanish form of Latin Maximus, MÃXIMO means "the greatest."
Female
Greek
(Ξάνθη) Greek name derived from the word xanthos, XANTHÊ means "blonde, yellow." In mythology, this is the name of an Oceanid, water nymphs presiding over the fresh waters. It is also the name of an Amazon.
Female
Italian
Feminine form of Italian Xaviero, XAVIERA means "a new house."
Male
Greek
 Short form of Greek Alexandros, XAN means "defender of mankind." Compare with another form of Xan.
Female
Greek
(ΞÎνη) Feminine form of Greek Xenon, XENE means "foreigner; stranger."
POLYPHONIE X
POLYPHONIE X
Boy/Male
Hindu
Milk, Nectar
Girl/Female
Indian
Petals
Girl/Female
Hebrew American English Scottish
Gift from God.
Boy/Male
Arabic, Muslim
Servant of the All-element (Allah)
Girl/Female
Tamil
Girl/Female
Muslim
Happy, Pure, Princess
Girl/Female
Hindu, Indian
Good Natured
Boy/Male
Hindu, Indian, Punjabi, Sikh
Associating with Holy Congregation
Surname or Lastname
English (Suffolk)
English (Suffolk) : presumably a habitational name from a lost or unidentified place.
Girl/Female
Hindu, Indian, Tamil
Radha's Birthplace
POLYPHONIE X
POLYPHONIE X
POLYPHONIE X
POLYPHONIE X
POLYPHONIE X
n.
Plurality of sounds and articulations expressed by the same vocal sign.
n.
A character or vocal sign representing more than one sound, as read, which is pronounced red.
n.
One of the principal means of securing unity and consistency in polyphonic composition; the repetition of essentially the same melodic theme, phrase, or motive, on different degrees of pitch, by one or more of the other parts of voises. Cf. Canon.
n.
Music in parts; part writing; harmony; polyphonic music. See Polyphony.
n.
A proficient in the art of multiplying sounds; a ventriloquist.
a.
Homophonic; -- applied to music in which the melody is confined to one part, instead of being shared by all the parts as in the style called polyphonic.
a.
Consisting of several tone series, or melodic parts, progressing simultaneously according to the laws of counterpoint; contrapuntal; as, a polyphonic composition; -- opposed to homophonic, or monodic.
a.
Same as Polyphonic.
n.
Polyphony.
n.
A receptacle which bears many ovaries.
n.
Composition in mutually related, equally important parts which share the melody among them; contrapuntal composition; -- opposed to homophony, in which the melody is given to one part only, the others filling out the harmony. See Counterpoint.
a.
Having a multiplicity of sounds.
n.
The art of polyphony, or composite melody, i. e., melody not single, but moving attended by one or more related melodies.
n.
A composition adapted to sacred words in the elaborate polyphonic church style; an anthem.
n.
Plain harmony, as opposed to polyphony. See Homophonous.
a.
Characterized by polyphony; as, Assyrian polyphonic characters.
a.
Single-voiced; having but one part; as, a monophonic composition; -- opposed to polyphonic.
n.
A master of polyphony; a contrapuntist.
n.
Multiplicity of sounds, as in the reverberations of an echo.
a.
Now used for plain harmony, note against note, as opposed to polyphonic harmony, in which the several parts move independently, each with its own melody.