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American post-production company
Todd-AO is an American post-production company founded in 1953 by Mike Todd and Robert Naify, providing sound-related services to the motion picture and
Todd-AO
Wide high-resolution film gauge
to produce (24 frame/sec) 35 mm reduction prints from the Todd-AO 65 mm negative. The Todd-AO format was originally intended to use a deeply curved Cinerama-type
70_mm_film
American film producer (1907–1958)
the driving force behind the development of the eponymous Todd-AO widescreen film format. Todd was born in Minneapolis, Minnesota, to Chaim Goldbogen (an
Mike_Todd
followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System
List_of_70_mm_films
1956 film by Michael Anderson
and S.J. Perelman. The music score was composed by Victor Young and the Todd-AO 70 mm cinematography (processed by Technicolor) was by Lionel Lindon. The
Around the World in 80 Days (1956 film)
Around_the_World_in_80_Days_(1956_film)
65 mm motion picture widescreen process
1955 version of the Todd-AO 65 mm photographic process, in that both were intended as replacements for three-strip Cinerama. The Todd-AO system was shot at
Ultra_Panavision_70
1955 American musical film directed by Fred Zinnemann
and farmers. Oklahoma! was the first feature film photographed in the Todd-AO 70 mm widescreen process (and was simultaneously filmed in CinemaScope
Oklahoma!_(film)
American businessperson (d.2016)
United Artists Communications Inc and post-production and sound mixing firm Todd-AO. He lived in San Francisco, California until his death on April 7, 2016
Robert_Naify
Widescreen, curved screen projection process
scenes shot in Todd-AO (and MCS-70); Ice Station Zebra (1968); and Krakatoa, East of Java (1969), which also featured scenes shot in Todd-AO. The other 70 mm
Cinerama
20th-century American songwriting team
an Academy Award-winning musical film, the first feature shot with the Todd-AO 70 mm widescreen process. The film starred Gordon MacRae and Shirley Jones
Rodgers_and_Hammerstein
1955 soundtrack album by cast
version of the film was used in the making of the mono version, while the Todd-AO version was used for the stereophonic release. Although the singing is
Oklahoma!_(soundtrack)
Method of sound reproduction using two audio channels
cheaper widescreen systems, the first of which, Todd-AO, was developed by Broadway promoter Michael Todd with financial backing from Rodgers and Hammerstein
Stereophonic_sound
Manner of exposing motion picture film that determines aspect ratio
Negative pulldown is the manner in which an image is exposed on a film stock, described by the number of film perforations spanned by an individual frame
Negative_pulldown
Defunct American audio post production company
1965 to 1985. The company was acquired by audio post production company Todd-AO in 1986. In 2015, the facility was purchased by Deluxe Entertainment Services
Glen_Glenn_Sound
1963 film by Joseph L. Mankiewicz
the film would be shot in Europe and in the Todd-AO format, developed by Taylor's late husband Mike Todd (who had died in 1958), which ensured that Taylor
Cleopatra_(1963_film)
Model of motion picture projector
1954, as part of the Todd-AO system. A core objective of the project was to create a single machine that could project both the Todd-AO 5/70 format and the
Philips_DP70
Motion picture film format
film stock. The first camera system to be released using this format was Todd-AO, in 1955. The second was MGM Camera 65, a system designed by Panavision
Super_Panavision_70
1958 film by Joshua Logan
Rodgers, Hammerstein, Logan, Magna Theatre Corporation (owners of the Todd-AO widescreen process the film would be photographed in), and Leland Hayward
South_Pacific_(1958_film)
1992 documentary directed by Ron Fricke
documentary film directed by Ron Fricke. It was photographed in the 65 mm Todd-AO format, and is the first film ever to be restored and scanned at 8K resolution
Baraka_(film)
Technique for recording widescreen images onto a 4:3 frame
known for their sharpness and contrast at wide apertures. Todd-AO manufactured the Todd-AO 35 series of lenses in the 1970s. Designed by optical engineer
Anamorphic_format
frame/s, Todd AO productions retained the use of the same trade name on the 24 frame/s films. There is no difference between 24 frame/s Todd AO, Super Panavision
List of motion picture film formats
List_of_motion_picture_film_formats
Film by Victor Salva
also a music producer with Salva. Its music was recorded and mixed at the Todd-AO Scoring Stage by Shawn Murphy, and edited by Chad DeCinces. The album was
Jeepers_Creepers_(2001_film)
1970 film by George Seaton
O'Hare International Airport). Ernest Laszlo photographed it in 70 mm Todd-AO. It is the last film scored by Alfred Newman and the last film roles of
Airport_(1970_film)
1965 film by Carol Reed
Alex North and Jerry Goldsmith. The film was shot in Todd-AO and Cinemascope versions. The Todd-AO version was used for the DVD release because of its
The Agony and the Ecstasy (film)
The_Agony_and_the_Ecstasy_(film)
Early widescreen filming system
Fox substituted Todd-AO for its wide-gauge production process, having acquired a financial interest in the process from the Mike Todd estate. Subsequent
CinemaScope
1965 film by Robert Wise
rating ("general audiences") in 1969. The Sound of Music was filmed in Todd-AO by Ted McCord and produced with DeLuxe Color processing. Aerial footage
The_Sound_of_Music_(film)
British and American actress (1932–2011)
as well as shooting the film in Todd-AO, a widescreen format for which she had inherited the rights from Mike Todd. The film's production – characterized
Elizabeth_Taylor
Height/width proportion of an image
creating a large number of widescreen formats: CinemaScope (up to 2.6:1), Todd-AO (2.20:1), and VistaVision (up to 2.00:1) to name just a few. The flat 1
Aspect_ratio_(image)
1984 concert film by Jonathan Demme
the library of Todd-AO, which had since gone out of business and its building demolished. Eventually, it was discovered that Todd-AO's collection had
Stop_Making_Sense
1956 film by Walter Lang
or promoted again after this production, and Fox would later invest in Todd-AO and adopt its 65/70mm process, after changing it to the more conventional
The_King_and_I_(1956_film)
Early yet successful Wide Screen Film format used in the late 1920s/early 1930s
was a Todd AO compatible 70mm reduction of the original CinemaScope 55 negative, advertised as being in “Grandeur 70”. Unlike the later Todd-AO system
70_mm_Grandeur_film
1959 American musical film
every sense of the word, beautifully photographed in Technicolor and the Todd-AO process, and enhanced by six-track stereophonic sound that serves to make
Porgy_and_Bess_(film)
Movie theater in Los Angeles, California, United States
Century Fox films from the 1970s onwards. Additionally, a large curved Todd-AO screen was added to the theater in 1955; much of the original proscenium
Grauman's_Egyptian_Theatre
2007 soundtrack album by Trevor Rabin
by Trevor Rabin and recorded with the Hollywood Studio Symphony at the Todd AO Scoring Stage in October and November 2007. It was the last feature film
National Treasure: Book of Secrets (soundtrack)
National_Treasure:_Book_of_Secrets_(soundtrack)
70 mm version of the Technirama process
to Super Technirama 70 was that the prints were fully compatible with Todd-AO and the other systems using a spherical 65mm negative. All Super Technirama
Super_Technirama_70
1979 Australian dystopian action film
earlier. Miller's desire to shoot in anamorphic made him seek out a set of Todd-AO wide-angle lenses that Sam Peckinpah had discarded in Australia after they
Mad_Max_(film)
1960 film by John Wayne
Padilla as Santa Anna, and Richard Boone as Sam Houston. Shot in 70 mm Todd-AO by William H. Clothier, it was released by United Artists. Sam Houston
The_Alamo_(1960_film)
2000 American procedural drama television series
Hughes & Todd-AO (for "Living Doll") Won 2008 Mace Matiosian, Ruth Adelman, David Vanslyke, Bill Smith, Yuri Reese, Jivan Tahmizian & Todd-AO (for "Cockroaches")
CSI: Crime Scene Investigation
CSI:_Crime_Scene_Investigation
1998 film by Tony Scott
Rabin's musical score, was recorded at Arctic Circle Studios in Iceland and Todd-AO Scoring Stage in Hollywood, California and was released on 24 November
Enemy_of_the_State_(film)
1965 film by Ken Annakin
of period-accurate, life-sized working aeroplanes. It was shot in 65 mm Todd-AO by cinematographer Christopher Challis, and features a film score composed
Those Magnificent Men in Their Flying Machines
Those_Magnificent_Men_in_Their_Flying_Machines
Seven cuts of the 1982 Ridley Scott film
In October 1989, Arick discovered a 70 mm print of Blade Runner at the Todd-AO vaults while searching for soundtrack masters for other films. Some time
Versions_of_Blade_Runner
1998 musical fanfare by Jerry Goldsmith
was first recorded on January 30, 1998, by an 83-piece orchestra at the Todd-AO studio in Hollywood, California. Goldsmith also composed and recorded several
Fanfare_for_Oscar
2005 film score by Brian Tyler and Klaus Badelt
the film. By January 2005, Tyler recorded 110 minutes of music at the Todd-AO Scoring Stage. However, some of the studio executives note the score was
Constantine_(soundtrack)
Finnish filmmaker (born 1959)
Variety. Retrieved 31 January 2025. Rothman, Matt (7 October 1992). "Todd-AO, Klein in prod'n venture". Variety. Retrieved 31 January 2025. Eller, Claudia
Renny_Harlin
2007 American film by Antoine Fuqua
to the film was composed by Mark Mancina, who recorded the music at the Todd-AO Scoring Stage in Studio City, Los Angeles, using a 77-piece orchestra conducted
Shooter_(2007_film)
American motion picture equipment company
the World in Eighty Days (1956), shot with the competing, non-anamorphic Todd-AO system. In January 1959, the posters for the 70 mm release of Disney's
Panavision
Higher frame rates than typical prior practice
original 3-strip Cinerama features of the 1950s ran at 26 fps. The first two Todd-AO 70 mm features, Oklahoma! (1955) and Around the World in 80 Days (1956)
High_frame_rate
1966 film directed by John Huston
photographed by Giuseppe Rotunno in Dimension 150, a variant of the 70mm Todd-AO format. The musical score was by the Japanese composer Toshiro Mayuzumi
The Bible: In the Beginning...
The_Bible:_In_the_Beginning...
Topics referred to by the same term
algebraic topology Todd-AO, a company in film post-production Todd Corporation, a New Zealand conglomerate TOD (disambiguation) Justice Todd (disambiguation)
Todd
English film director (1914–2009)
full-length 70 mm Todd-AO Fox releases in 1965, with an intermission and musical interlude part of the original screenings. Because of the Todd-AO process, the
Ken_Annakin
2005 film score by James Newton Howard
2005. The score was recorded at the Sony Scoring Stage, California and Todd-AO, Los Angeles. Recording sessions consisted of a 108-piece orchestra and
King_Kong_(soundtrack)
1st episode of the 1st season of Fallout
the work of a film projector anyway, a nice riff on Oklahoma!'s vivid Todd-AO splendor might have done the trick nicely. But while that may impact the
The_End_(Fallout)
1971 film directed by James Clavell
version of The Last Valley was the final feature film photographed with the Todd-AO 70 mm widescreen process until it was revived to make the film Baraka in
The_Last_Valley_(film)
1960 film by Walter Lang
Sharaff and dance staging by Hermes Pan. The film was photographed in Todd-AO. Although performing well on initial release, it failed to recoup its production
Can-Can_(film)
Functional element in motion picture film
35mm Academy is also known as 4 perf-35mm; VistaVision is 8 perf-35mm; Todd-AO 70mm film is 5 perf-70mm; and IMAX is 15 perf-70mm. Non-standard perforations
Film_perforations
1975 film by Stanley Kubrick
a wider angle of view, with input from optics expert Richard Vetter of Todd-AO. The rear element of the lens had to be 2.5 mm away from the film plane
Barry_Lyndon
Sound format
used on some prints of the MGM film Logan's Run released in 1976. The Todd-AO format was introduced in 1955 and included multi-channel magnetic sound
Dolby_Stereo
Award for excellence in sound editing and sound mixing in film
Here RKO Studio Sound Department, John O. Aalberg 1955 (28th) Oklahoma! Todd-AO Studio Sound Department, Fred Hynes Love Is a Many-Splendored Thing 20th
Academy_Award_for_Best_Sound
show reduction prints of films shot in such larger-sized formats such as Todd-AO, Super Panavision 70, or Ultra Panavision. Independent movie theater Fernett
Neighborhood_theatre
Large-screen film format
at a time, which translates to 27.4 meters (90 ft) per minute. In the Todd-AO 70 mm-format of widescreen cinema, the image area of a 65 mm film-frame
IMAX
American motion picture and media tycoon
United Artists and later became founder and co-chairman of the board of Todd-AO, the largest independent post-production sound studio in the United States
Marshall_Naify
Film by Peter Jackson
Recording sessions took place at the Sony Scoring Stage, California and Todd-AO, Los Angeles, consisting of 108-piece orchestra and 40-member choir, and
King_Kong_(2005_film)
on image movement and on some camera pans. The widescreen film process Todd-AO used this frame rate in 1954–1956. 48p is a progressive format and that
List of broadcast video formats
List_of_broadcast_video_formats
Sound systems that use 5 speakers and one subwoofer
Instead of the five screen channels and single surround channel of the Todd-AO format, Dolby Stereo 70 mm Six Track provided three screen channels, two
5.1_surround_sound
Theatrical release format
well as many films shot in widescreen processes, such as CinemaScope, Todd-AO, MGM Camera 65, and Super Panavision 70, and films that were blown up to
Roadshow_theatrical_release
American mass media company
formed in 2000 to hold the companies recently acquired by Liberty Media: Todd-AO (cost $92.5 million), Soundelux (cost $70.3 million) and Four Media (cost
Liberty_Media
2007 soundtrack album by Hans Zimmer
Development Assistants: Zain Effendi, Mark McCormick Score recorded at: Todd AO Scoring Stage, Studio City, California Fox Scoring Stage, Century City
Pirates of the Caribbean: At World's End (soundtrack)
Pirates_of_the_Caribbean:_At_World's_End_(soundtrack)
1975 Western film
Eve's Movie Ranch in New Mexico on a budget of $200,000. The full-scope Todd-AO 35 photography is good, and the camera movement and staging are excellent
Boss_Nigger
Film by Robert Zemeckis
Erik Swanson Recordists: Tom Hardisty and Adam Olmsted Score Recorded at: Todd-AO Scoring Stage Music Editor: Ryan Rubin Assistant Music Editor: Jeannie
Beowulf_(2007_film)
American sound engineer
television programs like The Pacific and John Adams. Minkler works at Todd-AO Hollywood. He is also the Managing Director of Moving Pictures Media Group
Michael_Minkler
American movie camera manufacturer (1919–1979)
retooled and modified in the 1950s to become cameras such as the 65mm Todd-AO, MGM 65, Ultra Panavision 70 cameras, etc. Only two of the original Mitchell
Mitchell_Camera
2007 American film
subliminally hearing it throughout the film." The score was recorded at the Todd-AO Scoring Stage and the Eastwood Scoring Stage at Warner Bros. In March 2003
August_Rush
1969 film by Gene Kelly
exteriors still exist.[citation needed] The film was photographed in 65 mm Todd-AO by Harry Stradling.[citation needed] The film was beset by tension on the
Hello,_Dolly!_(film)
1995 American film directed by Simon Wells
2018 (expansion) Recorded July 1995 Studios Abbey Road Studios, London Todd-AO Scoring Stage, Studio City (additional score; expansion only) Scrimshaw
Balto_(film)
1995 film by Kevin Lima
diffuse for the title character to come fully alive." Writing for Variety, Todd McCarthy criticized the film's score, and felt that the personality of Goofy's
A_Goofy_Movie
period a number of other significant films were produced in Todd-AO, developed by Mike Todd shortly before his death, including Oklahoma! (1955), Around
History_of_film
Color motion picture process
in 1957. Other formats the company ventured into included VistaVision, Todd-AO, and Ultra Panavision 70. All of them were an improvement over the three-strip
Technicolor
2002 soundtrack album
album by various artists Released June 11, 2002 Recorded 2001–2002 Studio Todd AO Scoring Stage Genres Rock pop country rock film score Length 34:47 Languages
Lilo & Stitch (2002 soundtrack)
Lilo_&_Stitch_(2002_soundtrack)
1993 film directed by Oliver Stone
Enterprises Alcor Films Ixtlan New Regency Productions Kitman Ho Productions Todd-AO Distributed by Warner Bros. Release dates December 25, 1993 (1993-12-25)
Heaven_&_Earth_(1993_film)
American actress and dancer (1926–2020)
accommodate the new experimental widescreen processes of CinemaScope and Todd-AO, respectively. As such, different versions of both films exist using the
Virginia_Bosler
Hammerstein musical film Oklahoma!, the first feature photographed in the Todd-AO 70 mm widescreen process. November 3 – The musical film Guys and Dolls
1955_in_film
owned subsidiary of Discovery Communications. This included the assets of Todd-AO, Soundelux, Sound One, POP Sound, Modern Music, Soundelux Design Music
Todd_Soundelux
American audio post production company
Hollywood. Soundelux was part of the Creative Services division, along with Todd-AO, Riot, Company 3, Method, Encore, Level 3 and POP. In October 2008, the
Soundelux
1973 film
Daniel Vance in his first and last feature film. The film was shot in Todd-AO by Dean Cundey in his first feature film with Buddy Joe Hooker arranging
The_No_Mercy_Man
2008 film score by James Horner
soundtrack. The score received positive reviews. The score was recorded at the Todd-AO Scoring Stage, Studio City, Los Angeles. Horner conducted the Hollywood
The Spiderwick Chronicles (soundtrack)
The_Spiderwick_Chronicles_(soundtrack)
select cities in Todd-AO, now receives a U.S. national release in CinemaScope, since not all theatres are yet equipped for Todd-AO. To accomplish this
1956_in_film
American audio and video recorder and storage media company
known as mag stock). The result of this development was the CinemaScope/Todd-AO motion picture sound system, which was first used in movies such as The
Ampex
2006 soundtrack album
Sarabande, a week after Original Motion Picture Soundtrack. It was recorded at Todd-AO Scoring Stage, composed and conducted by Brian Tyler and performed by the
The Fast and the Furious: Tokyo Drift (soundtrack)
The_Fast_and_the_Furious:_Tokyo_Drift_(soundtrack)
operations of various businesses acquired from 2000 through 2004, including the Todd-AO Corporation, Four Media Company, Video Services Corporation, Group W Network
Ascent_Capital_Group
2013 Marvel Studios film
also had a 3D conversion and a digital remaster for the IMAX release. Todd-AO mixed the sound in Dolby Atmos to enhance the immersive experience. Trevor
Iron_Man_3
Historic theatre in Kansas City, Missouri
later KMBC-TV) In 1957 Durwood Organization took it over and converted for Todd-AO and later Cinerama movies and named it the Capri Theatre. KMBC continued
Lyric Theatre (Kansas City, Missouri)
Lyric_Theatre_(Kansas_City,_Missouri)
American actor (1928–2020)
full-length 70 mm Todd-AO Fox releases in 1965, with an intermission and musical interlude being part of the original screenings. Because of the Todd-AO process
Stuart_Whitman
1993 Italian film
The Buddha flashback scenes of Little Buddha were photographed in 65 mm Todd-AO by cinematographer Vittorio Storaro. The rest of the film was filmed in
Little_Buddha
1956 film by Stuart Heisler
todd-AO; 'burning hills' launches whorf". Los Angeles Times. ProQuest 166780632. Schallert, E. (May 24, 1955). "'Heart of jade' boosted for todd-AO;
The_Burning_Hills
2003 soundtrack album by Phil Collins and Mark Mancina
Recording Studios (Hollywood) Piety Street Recording (New Orleans, LA) Todd-AO Scoring Stage (Los Angeles) Studio Academia Greenwood Studios (Nunningen
Brother_Bear_(soundtrack)
1972 science fiction film directed by J. Lee Thompson
productions. Of the five original films, Conquest is the only entry filmed in Todd-AO 35 using Arriflex ARRI 35IIC cameras with lenses provided by the Carl Zeiss
Conquest of the Planet of the Apes
Conquest_of_the_Planet_of_the_Apes
1977 film by William Girdler
around Long Barn, California, Murphy, California and Sonora, California on Todd-AO 35 film, with the cast recalling that they had a good time. Lynda Day George
Day_of_the_Animals
Greg King moved to Los Angeles along with Rob Nokes. Paul Huntsman of Todd-AO introduced them to Robert Grieve, who six years earlier had declined to
Sounddogs
1956 film by Henry King
the producers of "Oklahoma!," who made that one in the new large-screen Todd-AO—have run out their latest large-screen process, CinemaScope 55, which gives
Carousel_(film)
British cinematographer
shot 1971's The Last Valley, notably for being the last film shot on the Todd-AO 70mm stock before the format was revived in 1991. His last cinematography
Norman_Warwick
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