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Dismembered altarpiece by Masaccio
The Pisa Altarpiece (Italian: Polittico di Pisa) was a large multi-paneled altarpiece produced by Masaccio for the chapel of Saint Julian in the church
Pisa_Altarpiece
15th-century Italian Renaissance painter
of all Gothic and Byzantine influence, as seen in his altarpiece for the Carmelite Church in Pisa. The traces of influences from ancient Roman and Greek
Masaccio
Church building in Pisa, Italy
Santa Maria del Carmine is a Roman Catholic church in Pisa, Italy known for its altarpiece. It is located in the small Piazza del Carmine, along the Corso
Santa_Maria_del_Carmine,_Pisa
Giovenale Altarpiece," in The Panel Paintings of Masolino and Masaccio, ed. Carl Brandon Strehlke, Milan, 2002, pp. 69–79; Dillian Gordon, "The Altarpieces of
List of major paintings by Masaccio
List_of_major_paintings_by_Masaccio
Topics referred to by the same term
1983 Crucifixion (Mantegna), 1457–1459 Crucifixion, part of the 1426 Pisa Altarpiece by Masaccio Crucifixion (Barnaba da Modena), 1375 The Crucifixion (Pavias)
Crucifixion_(disambiguation)
Italian painter (c. 1370 – 1427)
pseudo-kufic halos as early as 1422, and can be seen later in his Pisa Altarpiece from 1426.ref? Pronunciation: UK: /dʒɛnˌtiːleɪ dæ ˌfæbriˈɑːnoʊ/, US:
Gentile_da_Fabriano
Church building in Pisa, Italy
Ranierino (or Saints Ranieri and Leonardo) is a church located in central Pisa, Italy, near piazza del Duomo. The present building was constructed on this
San_Ranierino,_Pisa
Renaissance art in Florence
emphasises their expressions and postures, was further developed in the Pisa Altarpiece, begun in 1426 and now dispersed, and in the frescoes for the Brancacci
Florentine_Renaissance_art
Italian painter (c. 1291 – 1356)
Catherine – Convent of Santa Caterina, Pisa Triumph of St Thomas Aquinas, (1323) Santa Caterina, Pisa Altarpiece of Five Saints (c. 1330) – 200 x 200
Lippo_Memmi
Apostle of Jesus
the Pisa Altarpiece It is now at the Getty Center in Los Angeles, California. Andrew appears as part of Carlo Crivelli's San Domenico Altarpiece (1476)
Andrew_the_Apostle
Early Renaissance Italian painter
used by Masaccio in works such as the Adoration of the Magi for the Pisa altarpiece. This technique was considered to be an effective way of organizing
Domenico_di_Bartolo
Subject in Christian art
Rowlands, Eliot Wooldridge. 2003. Masaccio: Saint Andrew and the Pisa Altarpiece. Los Angeles: Getty Publications, p. 22. Feigenbaum, Gail, & Sybille
Virgin and Child with Saint Anne
Virgin_and_Child_with_Saint_Anne
Italian sculptor (c. 1280–c. 1337)
Later Tino followed his master to Pisa, where his first known commission he executed by himself was the altarpiece for the pisan patron saint Rainerius
Tino_di_Camaino
Topics referred to by the same term
Greco), c. 1610–1614 Saint Paul (Masaccio), a panel of Masaccio's Pisa Altarpiece, 1426 Saint Paul (Velázquez), c. 1619 Saint-Paul station (Paris Metro)
Saint_Paul_(disambiguation)
Church building and seminary in Volterra, Italy
monastery located just outside the walls of Volterra in the province of Pisa, region of Tuscany, Italy. The complex now serves as a seminary. A pieve
Sant'Andrea Apostolo, Volterra
Sant'Andrea_Apostolo,_Volterra
Italian painter
period in Pisa. He was born in Lucca. He helped Cimabue paint an altarpiece for the altar of Santo Spirito in the church of Santa Chiara in Pisa. He also
Giovanni_d'Apparecchiato
Italian friar and painter (c. 1395 – 1455)
received the patronage of Cosimo de' Medici. His works include the San Marco Altarpiece and the Deposition of Christ, both made for the convent of San Marco.
Fra_Angelico
Altarpiece by Simone Martini
The Saint Catherine of Alexandria Polyptych (also known as Pisa Polyptych) is a painting by the Italian medieval artist Simone Martini, dating to 1320
Saint Catherine of Alexandria Polyptych
Saint_Catherine_of_Alexandria_Polyptych
Italian painter
Italian painter. Born in Pisa, at a very young age he became an assistant to Pietro Perugino at the Sistine Chapel. Returning to Pisa, he produced the first
Niccolò_Pisano
Italian Renaissance painter (1445–1510)
his only significant times elsewhere were the months he spent painting in Pisa in 1474 and the Sistine Chapel in Rome in 1481–82. Only one of Botticelli's
Sandro_Botticelli
Roman Catholic church in Volterra, Italy
church located on Via Don Giovanni Minzoni #49 in Volterra, province of Pisa, region of Tuscany, Italy. A church was initially established by Guiscard
San_Pietro_in_Selci
Church in Pisa, Italy
Roman Catholic church located in Largo del Parlascio #20 in the town of Pisa, region of Tuscany, Italy. A church and adjacent convent were erected between
San_Torpé,_Pisa
Church in Volterra, Italy
located on Via San Lino, near Porta San Francesco, of Volterra, province of Pisa, region of Tuscany, Italy. The aged facade is built in local stone in a Renaissance-style
San_Dalmazio,_Volterra
Italian painter
and Pisa. His name is also written as Maruscelli, Maruscielli, or Marscelli. Born in Florence, around 1600 he became a pupil of Andrea Boscoli in Pisa. His
Giovanni_Stefano_Marucelli
Roman Catholic church in Pontedera, Italy
parish church, located in the center town of Pontedera in the province of Pisa, Tuscany, Italy. This church was originally dedicated to Saints Filippo,
Santissimo Crocifisso, Pontedera
Santissimo_Crocifisso,_Pontedera
Visual arts produced during the European Renaissance
the sculpture of Nicola Pisano and his son Giovanni Pisano, working at Pisa, Siena and Pistoia shows markedly classicising tendencies, probably influenced
Renaissance_art
Italian painter
Italian painter of the late-Renaissance period, active mainly in town of Pisa, in the region of Tuscany (then the Republic of Florence). He may have initially
Baccio_Lomi
Italian painter
an Italian painter who was documented as working from 1321 to ca 1365 in Pisa and Bologna. He appears to have been a follower of Andrea Orcagna to judge
Francesco_Traini
Italian painter (fl. 1389–1434)
da Napoli (active 1402-1405) in Pisa. The fresco cycle in the church of San Giovanni Battista di Cascina, outside Pisa, bears Martino’s signature, and
Martino_di_Bartolomeo
Italian painter (c.1556–1622)
of his works are in Florence and other cities of Tuscany, particularly at Pisa; he painted landscapes and portraits as well as history. Among his pupils
Pietro_Sorri
Style of medieval art
show the wounds of his Passion. Saints appeared more frequently, and altarpieces showed saints relevant to the particular church or donor in attendance
Gothic_art
Italian painter (1556–1622)
In Pisa, he painted a St. Jerome (1595) for the Duomo of Pisa, in addition to frescoes for San Frediano and Santo Stefano. He painted an altarpiece for
Aurelio_Lomi
Church in Tuscany, Italy
the Madonna of the Rosary was decorated by Antonio Franchi; while the altarpiece depicting the Madonna del Carmelo consoling the souls in Purgatory by
Santa Maria Assunta, Villa Basilica
Santa_Maria_Assunta,_Villa_Basilica
Comune in Tuscany, Italy
departs from the river. Empoli is on the main railway line from Florence to Pisa, and is the point of divergence of a line to Siena. Empoli has an enduring
Empoli
Church and monastery in Pisa, Tuscany, Italy
Fossabanda is a Renaissance-style Roman Catholic church and monastery in Pisa, region of Tuscany, Italy. The region where the monastery was founded had
Santa Croce in Fossabanda, Pisa
Santa_Croce_in_Fossabanda,_Pisa
Italian painter
of San Francesco in Pisa. Cecco continued to receive a number of local commissions, painting many altarpieces. One such altarpiece is the Polyptych of
Cecco_di_Pietro
Triptych by Rogier van der Weyden
from Pisa, for Saint James's Church, Bruges. It is smaller than van der Weyden's other altarpieces, and probably intended as a side altarpiece or private
Saint John Altarpiece (van der Weyden)
Saint_John_Altarpiece_(van_der_Weyden)
Italian painter
mainly in his native Florence although he also carried out commissions in Pisa and Prato. He was not an innovative painter but relied on traditional compositions
Niccolò_di_Pietro_Gerini
Church in Montopoli in Val d'Arno, Italy
Falcone #30 in the urban center of Montopoli in Val d'Arno, in the province of Pisa, region of Tuscany, Italy. For a few years prior to his death in 1595, the
Santa Marta, Montopoli in Val d'Arno
Santa_Marta,_Montopoli_in_Val_d'Arno
Roman Catholic church in Bientina, Italy
located on Piazza Vittorio Emanuele in the town of Bientina in the province of Pisa, Tuscany, Italy. The church is near the city hall of the town. This church
Santa_Maria_Assunta,_Bientina
Italian painter (c. 1363–1422)
executed in the church of San Paolo in Pisa. In 1393, he traveled to San Gimignano, where he executed the altarpiece of the Virgin and Child and Saints (1395)
Taddeo_di_Bartolo
Church building in Pietrasanta, Italy
cultural events. In an 1896 survey, the first chapel on the right had an altarpiece (1518) by Taddeo Zacchia. Terra di Lucca e di Versilia, tourism website
Sant'Agostino,_Pietrasanta
Italian painter (c. 1421–1497)
and St. Bernardine of Siena, and three other works. One of these, the altarpiece Madonna of the Girdle, is now in the Vatican Museums and shows the affinity
Benozzo_Gozzoli
Italian painter
Bicci, Andrea worked under Masaccio in Pisa until 1427. Andrea's career is marked by three major altarpieces created in the Florentine contado, or countryside:
Andrea_di_Giusto
Italian painter
Antonio da Pietri, Pietro dei Pietri, and Pietro de' Pietri. He painted an altarpiece of the Virgin with Saints for Santa Maria in Via Lata. Hobbes, James R
Pietro_da_Pietri
Renaissance statue in Florence, Italy
Michelangelo's 'David'?". The New York Times. Retrieved 1 September 2010. Pisa, Nick (16 August 2010). "Florence vs Italy: Michelangelo's David at centre
David_(Michelangelo)
of the Burgundian Prelates Master of the Bützow Altarpiece Byzantine Master of the Crucifix of Pisa Byzantios Master of Cabestany Calcarius (fl. 2nd
List_of_anonymous_masters
Italian painter
the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where
Cosimo_Rosselli
Venetian painter (1605–1687)
pirates from Tunis. Released through Malta, he visited Sicily, Naples, and Pisa. For a few years in his life, he became a mercenary with the forces of cavaliere
Pietro_Liberi
Sistine Chapel fresco by Michelangelo
his pose in earlier Last Judgments, especially one in the Camposanto of Pisa, which Michelangelo would have known; here the raised hand is part of a gesture
The Last Judgment (Michelangelo)
The_Last_Judgment_(Michelangelo)
work of the same subject that formed part of the Doña María de Aragón Altarpiece. List of works by El Greco (in Spanish) Wethey. El Greco y su Escuela
Baptism of Christ (El Greco, Rome)
Baptism_of_Christ_(El_Greco,_Rome)
Italian painter (1620–1658)
painted a Martyrdom of St. Sebastian for the church of the Carthusians in Pisa. He also painted in Florence. He was born in Genoa in 1620. He was a pupil
Clemente_Bocciardo
Church in Montopoli in Val d'Arno, Italy
Marti, in the town limits of Montopoli in Val d'Arno, in the province of Pisa, region of Tuscany, Italy. A church at the site was begun in 1332. Built
Santa_Maria_Novella,_Marti
Church in Rome, Italy
single cross-vaulted nave with five chapels. The church also contains an altarpiece, The Madonna of Loreto by Agostino Carracci, (his only work in a church
Sant'Onofrio,_Rome
Painting by Lippo Memmi
friar was canonized. It is displayed in the church of Santa Caterina in Pisa, a church once belonging to the Dominican order. The painting is a complex
Triumph of Saint Thomas Aquinas
Triumph_of_Saint_Thomas_Aquinas
Italian painter
Gesualdo Francesco Ferri (San Miniato, Province of Pisa, 2 January 1728 – 22 September 1799) was an Italian painter, active mainly in Florence. He trained
Gesualdo_Francesco_Ferri
Magdalene (1576–1578) Saint Sebastian (1576–1579) Santo Domingo el Antiguo Altarpiece (1577) Saint Lawrence's Vision of the Madonna and Child (1577) Adoration
The Tears of Saint Peter (El Greco and studio, Sitges)
The_Tears_of_Saint_Peter_(El_Greco_and_studio,_Sitges)
Roman Catholic church in Italy
during the 14th century in the town of Montecatini Val di Cecina, province of Pisa, in the region of Tuscany, Italy. The church was erected in 1356 under the
San Biagio, Montecatini Val di Cecina
San_Biagio,_Montecatini_Val_di_Cecina
Flemish painter (c. 1430/1440–1482)
Goes, the Portinari Altarpiece arrived in Pisa from which it was shipped via canal to the Porta San Friano in Florence. The altarpiece was hung in the church
Hugo_van_der_Goes
art involved some significant events. 1311: June 9 – Duccio's Maestà altarpiece, a seminal artwork of the early Italian Renaissance, is unveiled in Siena
1310s_in_art
Painting by Cimabue
9 in). It is one of three known panels from the Diptych of Devotion, an altarpiece which probably had two wings each with four panels, eight in all. The
The Flagellation of Christ (Cimabue)
The_Flagellation_of_Christ_(Cimabue)
Roman Catholic church in Montecarlo, Lucca, Tuscany, Italy
Catacombs of Santa Ciriaca in Rome. In an 1896 survey, the church had an altarpiece in the second altar to the right depicting a Crucifixion with the Madonna
Sant'Andrea, Montecarlo (Tuscany)
Sant'Andrea,_Montecarlo_(Tuscany)
Chapel in Volterra
just north of the interior of Porta San Felice in Volterra, province of Pisa, region of Tuscany, Italy. This small and simple chapel was erected in 1707
Oratorio della Madonna del Gabellino, Volterra
Oratorio_della_Madonna_del_Gabellino,_Volterra
commissioned to paint a major altarpiece, the Pisa Polyptych altarpiece in the church of Santa Maria del Carmine in Pisa. c. 1426 – Bahram Gur and the
1420s_in_art
Comune in Tuscany, Italy
of Pisa in the Italian region Tuscany, located about 60 kilometres (37 mi) southwest of Florence and about 35 kilometres (22 mi) southeast of Pisa. Its
Chianni
Painting series by El Greco
The Santo Domingo el Antiguo Altarpiece is a 1577-1579 altarpiece by El Greco, painted for the Monastery of Santo Domingo el Antiguo in Toledo, Spain.
Santo Domingo el Antiguo Altarpiece
Santo_Domingo_el_Antiguo_Altarpiece
Comune in Tuscany, Italy
San Miniato is a town and comune (municipality) in the province of Pisa, in the region of Tuscany, Italy. San Miniato sits at a historically strategic
San_Miniato
Italian painter (died 1529)
Christ at Gethsemane that were once probably two wings of a portable altarpiece; and a larger panel of The Agony in the Garden, all dated to perhaps 1500-05
Lo_Spagna
Church in Venice, Italy
an unknown Lombard artist of the 15th century. The second altar has an altarpiece representing Vision of St Catherine the Martyr, by Vincenzo Catena, and
Santa_Maria_Mater_Domini
Italian art historian
was an Italian art historian and art critic. Born in Pisa, he studied at the University of Pisa under Mario Salmi and Matteo Marangoni. His graduation
Enzo_Carli_(art_historian)
Italian painter (1446–1498)
confidently attributed to him on the basis of style including a number of altarpieces, dozens of small-scale religious panels and a few portraits. Botticini
Francesco_Botticini
Italian painter
Niccolò di Pietro Gerini, painted frescoes in the church of San Francesco at Pisa. Lorenzo is often erroneously cited as the son of Niccolò di Pietro Gerini
Lorenzo_di_Niccolò
Painting by El Greco
Greco, who was also known as Doménikos Theotokópoulos. This portable altarpiece is painted on both sides and has an Italian Renaissance frame. The front
Modena_Triptych
Chapel in Santa Trinita, Florence
the work was not carried out until between 1483 and 1486. The central altarpiece, depicting the Adoration of the Shepherds, is dated 1485. Ghirlandaio
Sassetti_Chapel
Artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas
windows and oil paintings. The subject of the Nativity is often used for altarpieces, many of these combining both painted and sculptural elements. Other
Nativity_of_Jesus_in_art
Roman Catholic church in Padua
stripped much of the baroque interior decoration. The interior houses a main altarpiece depicting the Holy Family with the Saint Francesca Romana and Eurosia
San_Nicolò,_Padua
Subject of two paintings by El Greco
Magdalene (1576–1578) Saint Sebastian (1576–1579) Santo Domingo el Antiguo Altarpiece (1577) Saint Lawrence's Vision of the Madonna and Child (1577) Adoration
Allegory of the Camaldolese Order
Allegory_of_the_Camaldolese_Order
Altarpiece painted by El Greco
The Doña María de Aragón Altarpiece was an altarpiece painted between 1596 and 1599 by El Greco for the chapel of the Colegio de la Encarnación (also known
Doña María de Aragón Altarpiece
Doña_María_de_Aragón_Altarpiece
Church in Volterra, Italy
is a Gothic-style, Roman Catholic church in Volterra in the province of Pisa, region of Tuscany, Italy. The plain stone church was granted in 1251 for
San_Francesco,_Volterra
Fresco by Paolo Uccello
service of Bernabò Visconti in his war against a coalition that included Pisa and Florence, and even (in 1372) the Marquis of Monteferrato. Hawkwood then
Funerary Monument to Sir John Hawkwood
Funerary_Monument_to_Sir_John_Hawkwood
Church building in Pescia, Italy
continued until the early 18th century. The interior contains the following altarpieces: St Carlo Borromeo administers the sacraments to those afflicted by plague
Santissima_Annunziata,_Pescia
Italian architect and painter (1550–1607)
Gualberto in the Abbey of San Michele in Passignano, Pieroni painted an altarpiece of San Giovan Gualberto pardons the murderers of his brother before the
Alessandro_Pieroni
Italian painter
Humility in Pistoia. He also painted altarpieces for churches in Rome (including Santa Maria in Via Lata) and Pisa. He died in Rome. Among his works are
Giovanni_Domenico_Piastrini
Painting by El Greco
Magdalene (1576–1578) Saint Sebastian (1576–1579) Santo Domingo el Antiguo Altarpiece (1577) Saint Lawrence's Vision of the Madonna and Child (1577) Adoration
The Tears of Saint Peter (El Greco, Mexico City)
The_Tears_of_Saint_Peter_(El_Greco,_Mexico_City)
Benedictine abbey in Reggello, Tuscany, Italy
there and then withdrawn by his father, before taking orders, and moved to Pisa to study medicine. In the 17th century the walls were erected, and in the
Vallombrosa_Abbey
Painting by El Greco
work by El Greco, one of a group of five paintings painted for the high altarpiece of the Santuario de Nuestra Señora de la Caridad in Illescas, Toledo.
Coronation of the Virgin (El Greco, Illescas)
Coronation_of_the_Virgin_(El_Greco,_Illescas)
Barbadori Altarpiece by Fra Filippo Lippi, from the Santo Spirito of Florence, now at the Louvre The Sacrifice of Abraham by Sodoma, from Pisa The Virgin
List of art looted by Napoleonic armies
List_of_art_looted_by_Napoleonic_armies
Church building in Amsterdam, Netherlands
when a mob destroyed most of the church art and fittings, including an altarpiece with a central panel by Jan van Scorel and side panels painted on both
Oude_Kerk,_Amsterdam
Church in Rome, Italy
in the plan of a Latin cross, with a barrel-vaulted ceiling. The main altarpiece and cupola are painted by Ludovico Rusconi Sassi. The Chapel of St. Peter
San_Salvatore_in_Lauro
Painting by El Greco
Magdalene (1576–1578) Saint Sebastian (1576–1579) Santo Domingo el Antiguo Altarpiece (1577) Saint Lawrence's Vision of the Madonna and Child (1577) Adoration
The Tears of Saint Peter (El Greco, Barnard Castle)
The_Tears_of_Saint_Peter_(El_Greco,_Barnard_Castle)
Italian painter
known as Alesso Gozzoli, was an Italian Renaissance painter. He was born in Pisa in 1473 and began his career as an assistant to his father, the famous Florentine
Alesso_di_Benozzo
Spanish painter and architect
creating custom altarpieces in Illescas; his first documented work. Later, in 1607, he began to work more independently, producing an altarpiece in Titulcia
Jorge_Manuel_Theotocópuli
in his paintings including the Polyptych of Perugia, the San Agostino altarpiece and The Flagellation of Christ. His work on geometry influenced later
Mathematics_and_art
Painting by El Greco
Magdalene (1576–1578) Saint Sebastian (1576–1579) Santo Domingo el Antiguo Altarpiece (1577) Saint Lawrence's Vision of the Madonna and Child (1577) Adoration
The Immaculate Conception with Saint John the Evangelist
The_Immaculate_Conception_with_Saint_John_the_Evangelist
Painting by El Greco
as El Greco, in 1577–1579. The painting was a central element of the altarpiece of the church of Santo Domingo el Antiguo in Toledo, Spain. It was the
Assumption of the Virgin (El Greco)
Assumption_of_the_Virgin_(El_Greco)
4th-century Christian martyrs
Via Merulana that was named after them: Santi Marcellino e Pietro. The altarpiece, by Gaetano Lapis depicts the Martyrdom of Saint Peter and Saint Marcellino
Marcellinus_and_Peter
Municipality in Liguria, Italy
the 17th century. Franciscan convent : dates from the 16th century. The altarpiece is an oil on canvas depicting St. Peter of Alcantara, by Giovanni Battista
Diano_Castello
Italian painter (1684–1755)
Cardinal Virtues. At the church of Santa Maria in Monticelli, he painted the altarpiece. A canvas portraying Saint Giacomo della Marca is at the Basilica of Santa
Odoardo_Vicinelli
Painting by El Greco
Magdalene (1576–1578) Saint Sebastian (1576–1579) Santo Domingo el Antiguo Altarpiece (1577) Saint Lawrence's Vision of the Madonna and Child (1577) Adoration
Saint_Luke_(El_Greco)
Church in Tuscany, Italy
Romanesque church. In a survey of 1896, the interior of the church had altarpieces including a Concezione by Ranieri del Pace; a Resurrection and Saints
San Pietro Apostolo, Montecatini Terme
San_Pietro_Apostolo,_Montecatini_Terme
PISA ALTARPIECE
PISA ALTARPIECE
PISA ALTARPIECE
PISA ALTARPIECE
PISA ALTARPIECE
PISA ALTARPIECE
PISA ALTARPIECE
PISA ALTARPIECE
PISA ALTARPIECE