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or below the written note; abbreviated as col 8, coll' 8, and c. 8va colla parte literally "with the part". An indication that another (written-out) part
Glossary_of_music_terminology
1997 studio album by Ernst Reijseger
Colla Parte (subtitled Versioni per Violoncello Solo) is a solo album by the cellist Ernst Reijseger, recorded in 1997 and released on the Winter & Winter
Colla_Parte
Motet by Johann Sebastian Bach
the voices by basso continuo and instruments doubling the vocal lines (colla parte). In late 17th-century Protestant Thuringia, members of the Bach family
Jesu,_meine_Freude,_BWV_227
Vocal composition in Western classical music
written in a cappella style, basso continuo, with instruments playing colla parte. The first five, for double chorus, are almost certainly composed by
Motet
German Protestant church hymn
for SATB vocalists colla parte instrumentation, including continuo Around 400 of such settings by Bach are known, with the colla parte instrumentation surviving
Chorale
Vocal compositions by German composer
a funeral, set for double chorus and unspecified instruments playing colla parte. The work in two movements draws its text from the Book of Isaiah and
List of motets by Johann Sebastian Bach
List_of_motets_by_Johann_Sebastian_Bach
1768 mass by W. A. Mozart
violas, 2 oboes, 2 trumpets, 2 clarini (high trumpets), 3 trombones colla parte, timpani and basso continuo. The mass was commissioned by the Jesuit
Mass in C minor, K. 139 "Waisenhaus"
Mass_in_C_minor,_K._139_"Waisenhaus"
Dutch cellist and composer
ne Parle pas du Temps (FMP, 1995) with Louis Sclavis Colla Parte (Winter & Winter, 1997) Colla Voche (Winter & Winter, 1999) with Tenore and Concordu
Ernst_Reijseger
2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones colla parte, timpani and basso continuo (cello, double bass and organ). It is classified
Mass_No._5_(Schubert)
1776 composition by W. A. Mozart
choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 3 trombones colla parte, timpani and basso continuo. Although classed as a missa brevis (brief
Mass in C major, K. 258 "Piccolomini"
Mass_in_C_major,_K._258_"Piccolomini"
Church cantata by Johann Sebastian Bach
not at Bach's disposal. According to the parts, the instruments play colla parte with the voices: two trumpets, the oboes and two violins with the soprano
Gott fähret auf mit Jauchzen, BWV 43
Gott_fähret_auf_mit_Jauchzen,_BWV_43
Motet with arrangement attributed to Johann Sebastian Bach
further on in the Der Gerechte kömmt um version. Two traversos play colla parte with the first soprano. The motet attributed to Kuhnau is structured
Der_Gerechte_kömmt_um_(motet)
Church cantata by Johann Sebastian Bach
Leipzig, adding for the first Leipzig version four trombones playing colla parte. Bach composed the cantata in Weimar, but the composition history is
Ich hatte viel Bekümmernis, BWV 21
Ich_hatte_viel_Bekümmernis,_BWV_21
Chorale cantata by Johann Sebastian Bach
a concerto of solo violin and two oboes which play the cantus firmus colla parte with the soprano, strings and continuo. The three arias for the following
Ich ruf zu dir, Herr Jesu Christ, BWV 177
Ich_ruf_zu_dir,_Herr_Jesu_Christ,_BWV_177
1780 sacred choral composition by Mozart
SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (violoncello, double bass, and organ,
Vesperae solennes de confessore
Vesperae_solennes_de_confessore
1776 mass by W. A. Mozart
2 oboes, 2 horns in C, 2 clarini (high trumpets) in C, 3 trombones colla parte, timpani and basso continuo. The mass is classed as a missa longa due
Mass in C major, K. 262 "Missa longa"
Mass_in_C_major,_K._262_"Missa_longa"
2SATB (+colla parte instr.) 39: 107 III/1: 125 text by Thymich 00286 230 2. 1723–1739? Motet Lobet den Herrn, alle Heiden C maj. SATB Bc (+colla parte instr
List of compositions by Johann Sebastian Bach
List_of_compositions_by_Johann_Sebastian_Bach
1726 church cantata by J. S. Bach
finally joined by the orchestra playing colla parte (bars 106–144) Two homophonic choral sections with colla parte accompaniment sandwiched between three
Brich dem Hungrigen dein Brot, BWV 39
Brich_dem_Hungrigen_dein_Brot,_BWV_39
1783 Michael Haydn symphony misattributed to Mozart
middle Andante sostenuto movement, and "appears to have reduced the colla parte writing in the winds throughout the work", according to Gary Smith. The
Symphony_No._37_(Mozart)
Ensemble of singers
church music without orchestra accompaniment, but instruments playing colla parte with the voices. His works with accompaniment consists of his Passions
Choir
1999 studio album by Ernst Reijseger
Colla Voche is an album by cellist Ernst Reijseger with the vocal group Tenore e Cuncordu de Orosei, recorded in 1998 in Sardinia and released on the
Colla_Voche
Church cantata by Johann Sebastian Bach
fanfare. The first section begins with an animated fugal exposition with colla parte instruments. The fugue subject stresses the word Leben (life) with a
Herz und Mund und Tat und Leben, BWV 147
Herz_und_Mund_und_Tat_und_Leben,_BWV_147
Chorale cantata by Johann Sebastian Bach
each line prepared by the lower voices. A choir of trombones plays colla parte with the voices. Oboes and strings play in this movement, different from
Nimm von uns, Herr, du treuer Gott, BWV 101
Nimm_von_uns,_Herr,_du_treuer_Gott,_BWV_101
1769 composition by W. A. Mozart
is scored for SATB soloists and choir, violin I and II, 3 trombones colla parte, and basso continuo. The long held belief, based on Sigismund Keller's
Mass_in_D_minor,_K._65
Oratorio by Johann Sebastian Bach (1729)
It is composed as a four-part setting, with the instruments playing colla parte: oboes and violin I enforce the chorale tune, the flutes an octave higher
Lobet Gott in seinen Reichen, BWV 11
Lobet_Gott_in_seinen_Reichen,_BWV_11
Church cantata by Johann Sebastian Bach
canonic imitation on two themes, with the instruments playing mostly colla parte, then a and b are repeated within a part of the sinfonia, which is continued
Es wartet alles auf dich, BWV 187
Es_wartet_alles_auf_dich,_BWV_187
1779 sacred choral composition by Mozart
for SATB choir and soloists, violin I and II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (bassoon and organ). It was composed in
Vesperae_solennes_de_Dominica
Church cantata by Johann Sebastian Bach
added part is not in the score. In the opening chorus it plays mostly colla parte with the first violin, in movement 6 the cantus firmus with the soprano
Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109
Ich_glaube,_lieber_Herr,_hilf_meinem_Unglauben,_BWV_109
1727 sacred oratorio by Johann Sebastian Bach
their melodies. The text is sung in homophony by a four-part chorus with colla parte accompaniment by the orchestra. "O Haupt voll Blut und Wunden", on a
St_Matthew_Passion
This mass was published 5 years after Mozart's death in 1791
is scored for SATB soloists, SATB choir, violin I and II, 3 trombones colla parte, and basso continuo. This missa brevis is thought to have been composed
Mass_in_D_major,_K._194
Church cantata by Johann Sebastian Bach
Fritsch also used for “O Gott, du frommer Gott”. Most instruments play colla parte with the four-part setting of the voices, while the horns play different
Auf Christi Himmelfahrt allein, BWV 128
Auf_Christi_Himmelfahrt_allein,_BWV_128
Musical composition by Johann Sebastian Bach
(SATB) / Freut euch und jubiliert (SSAT, continuo) / Gloria (SSATB with colla parte instruments & violino obligato) / Virga Jesse (fragment – S, B, continuo)
Magnificat_(Bach)
Church cantata by Johann Sebastian Bach
the four-part harmony setting of the hymn tune, performed by choir and colla parte instruments, is complemented by a counter-melody played by the second
Wie schön leuchtet der Morgenstern, BWV 1
Wie_schön_leuchtet_der_Morgenstern,_BWV_1
1775 mass by Joseph Haydn
lowest to the highest, only one measure apart. The instruments play colla parte with the voices, violins with soprano and alto, cello and violone with
Missa brevis Sancti Joannis de Deo
Missa_brevis_Sancti_Joannis_de_Deo
Motet by Johann Sebastian Bach
it for double chorus, SATB – SATB and unspecified instruments playing colla parte. In the following table of the movements, the keys and time signatures
Fürchte_dich_nicht,_BWV_228
Church cantata by Johann Sebastian Bach
of the opening chorus as a motet fugue with the instruments playing colla parte, thus intensifying the attention for the words. The phrase "Gehe hin"
Nimm, was dein ist, und gehe hin, BWV 144
Nimm,_was_dein_ist,_und_gehe_hin,_BWV_144
1731 church cantata by Johann Sebastian Bach
Wunder ("wondrous works"). In the beginning only oboes and strings play colla parte with the voices, then a trumpet doubles the soprano. Developing further
Wir danken dir, Gott, wir danken dir, BWV 29
Wir_danken_dir,_Gott,_wir_danken_dir,_BWV_29
German opera singer
Voigt and Christine Cerletti: Jonas Kaufmann: Eine Bilderreise. Stiftung Colla Parte Basel, 2019, ISBN 978-3-903269-75-0 Pasles, Chris (14 March 2011). "Tenor
Jonas_Kaufmann
1766 composition by W. A. Mozart
scored for two oboes, two horns in D (and C and F), bassoon, mainly colla parte with double bass, harpsichord and strings, and consists of seventeen
Gallimathias_musicum
Church cantata by Johann Sebastian Bach
lowest and rising. Throughout the middle section, the instruments play colla parte with the voices. John Eliot Gardiner describes the first section as a
Weinen, Klagen, Sorgen, Zagen, BWV 12
Weinen,_Klagen,_Sorgen,_Zagen,_BWV_12
Early wind instrument with a cup mouthpiece
Testament by Nigel Hess, released in 1983. The cornett was chosen to play colla parte (in which instrumentalists play the same notes as the vocal part) in
Cornett
off-beat quaver accompaniment and, at the end of each verse, a single colla parte bar that slows down the tempo to emphasise the text and which requires
Where_Corals_Lie
1776 composition by W. A. Mozart
choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 3 trombones colla parte, timpani and basso continuo. Although classed as a missa brevis (brief
Mass in C major, K. 259 "Organ solo"
Mass_in_C_major,_K._259_"Organ_solo"
Church cantata by Johann Sebastian Bach
uneven lines only with continuo, while in the even lines instruments play colla parte with the voices and an independent fifth part is played by oboe and violin
Herr Gott, dich loben wir, BWV 16
Herr_Gott,_dich_loben_wir,_BWV_16
Structure of the movements in Bach's Mass in B minor
four-part choral fugue, set in stile antico, with the instruments playing colla parte. This style was preferred at the court in Dresden. The theme begins with
Mass_in_B_minor_structure
are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or continuo accompaniment are known. All other four-part
List of chorale harmonisations by Johann Sebastian Bach
List_of_chorale_harmonisations_by_Johann_Sebastian_Bach
Church cantata by Johann Sebastian Bach
voices, the two upper voices providing the first violins, oboe and corno colla parte and the others the second violins and oboe; in addition to violas there
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105
Herr,_gehe_nicht_ins_Gericht_mit_deinem_Knecht,_BWV_105
instrument and one of its primary functions appears to have been playing colla parte with the soprano voices of vocal choirs. Like all the members of the
Mute_cornett
choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 3 trombones colla parte and basso continuo. The Credo Mass has been classified as either a missa
Mass in C major, K. 257 "Credo"
Mass_in_C_major,_K._257_"Credo"
the Kyrie and Gloria sections from D minor to E minor and provided a colla parte orchestration for these sections, written out as performance parts for
Bach's_church_music_in_Latin
Church cantata by J.S. Bach
to concertante violins, and in the bass aria, an oboe d'amore plays colla parte with the first violins. The first and last verses of Neumann's hymn correspond
Liebster Gott, wenn werd ich sterben, BWV 8
Liebster_Gott,_wenn_werd_ich_sterben,_BWV_8
the lute. Four-part chorales and motets were mostly performed with a colla parte instrumentation and/or continuo. The first decades after the composer's
Performance practice of Bach's music
Performance_practice_of_Bach's_music
Church cantata by J.S. Bach
in the third movement, the three oboes double the violins and viola colla parte. The title page of the autograph score reads: "Domin. 19 post Trinit
Ich will den Kreuzstab gerne tragen, BWV 56
Ich_will_den_Kreuzstab_gerne_tragen,_BWV_56
Recordings of vocal compositions by German composer
instruments doubling the vocal lines, something which is described as playing colla parte Basso continuo, or just an organ accompaniment, to provide some instrumental
Discography of motets by Johann Sebastian Bach
Discography_of_motets_by_Johann_Sebastian_Bach
Cantata by Johann Sebastian Bach
brass parts, a choir of cornetto (Ct) and three trombones (Tb) playing colla parte with the voices at times, may have been added in the 1720s. They may
Christ lag in Todes Banden, BWV 4
Christ_lag_in_Todes_Banden,_BWV_4
Chorale cantata by Johann Sebastian Bach
The cantata closes with a four-part chorale, most instruments playing colla parte, while the horns play different parts because of their limited range
Der Herr ist mein getreuer Hirt, BWV 112
Der_Herr_ist_mein_getreuer_Hirt,_BWV_112
1847 motet by Felix Mendelssohn
major and common time, marked Andante sostenuto. The instruments play colla parte with the voices. It has been described as "delicate". Wehner, Ralf. Felix
Wer_bis_an_das_Ende_beharrt
1734 oratorio by Johann Sebastian Bach
(alto) G maj/E min 2 4 Schlafe, mein Liebster, genieße der Ruh' Flute I (colla parte an octave above the alto soloist throughout), 2 oboe d'amore, 2 oboe
Christmas_Oratorio
Arrangement by Wolfgang Amadeus Mozart
establish a mood. In choral movements, he assigned a wind instrument to play colla parte with the soprano, and a choir of three trombones to reinforce alto, tenor
Der_Messias
commercial recordings, Petr Fiala's live performance – with trombones colla parte during the choir repeat of part 2 (mm. 70–82) – is the most in accordance
Festive_Cantata_(Bruckner)
Church cantata by Johann Sebastian Bach
BWV 2 and Ich hatte viel Bekümmernis, BWV 21. The instruments play colla parte with the voices in the outer movements in the style of Bach's motets
Aus tiefer Not schrei ich zu dir, BWV 38
Aus_tiefer_Not_schrei_ich_zu_dir,_BWV_38
1630 Mass by Stefano Bernardi
mostly in homophony. It was usual at the time to have instruments playing colla parte with the voices, in addition to continuo instruments, as described in
Missa_primi_toni_octo_vocum
German record label
Buenos Aires ¡Tango Vivo! An AudioFilm 1997 910 012 Ernst Reijseger Colla Parte Subtitled Versioni per Violoncello Solo 1997 910 013 Uri Caine Wagner
Winter_&_Winter_Records
Church cantata by Johann Sebastian Bach
chorale is the final stanza of the hymn, with the instruments playing colla parte: "Das Aug allein das Wasser sieht" (The eye sees only water), a summary
Christ unser Herr zum Jordan kam, BWV 7
Christ_unser_Herr_zum_Jordan_kam,_BWV_7
Church cantata by Johann Sebastian Bach
the orchestra. Line 3 is a fast fugato, with the instruments playing colla parte, marked "gai". Line 4 is set as line 2. Wolff notes that Bach possibly
Nun komm, der Heiden Heiland, BWV 61
Nun_komm,_der_Heiden_Heiland,_BWV_61
Cantata by Johann Sebastian Bach
strings and oboes, joined by a quartet of cornetto and trombones, play colla parte in motet style doubling the four voices. BWV 28 was performed at the
Gottlob! nun geht das Jahr zu Ende, BWV 28
Gottlob!_nun_geht_das_Jahr_zu_Ende,_BWV_28
Church cantata by Johann Sebastian Bach
are set on the psalm tone for four parts, with all instruments playing colla parte. Wind instruments and violin I join the soprano part. The setting is
Meine Seel erhebt den Herren, BWV 10
Meine_Seel_erhebt_den_Herren,_BWV_10
1873 motet composed by Anton Bruckner
brief interventions of the trombones and that he had written the strings colla parte to prevent any intonation problems. The work was published first by Ludwig
Christus_factus_est,_WAB_10
Church cantata by Johann Sebastian Bach
soprano in long notes. In a setting resembling a motet, the strings play colla parte with the voices, and each line of the chorale is prepared by a complex
Wär Gott nicht mit uns diese Zeit, BWV 14
Wär_Gott_nicht_mit_uns_diese_Zeit,_BWV_14
Operas of 1703–1706 that have been lost
colour, particularly the occasional instrumental doubling of the voice colla parte, was derived from German models". The loss of much of Handel's early
Handel's_lost_Hamburg_operas
Church cantata by Johann Sebastian Bach
the mostly homophonic setting of the voices, with the oboes playing colla parte, is complemented by strings dominated by the first violin as an obbligato
Was Gott tut, das ist wohlgetan, BWV 98
Was_Gott_tut,_das_ist_wohlgetan,_BWV_98
Church cantata for Trinity Sunday by Johann Sebastian Bach
"Chorale. Stromenti concordant", indicating that the instruments play colla parte with the voices. The entries are taken from the listing on the Bach Cantatas
O heilges Geist- und Wasserbad, BWV 165
O_heilges_Geist-_und_Wasserbad,_BWV_165
1725 church cantata by Johann Sebastian Bach
repeated in 13 and 14, are a presto fugato, with the instruments playing colla parte; the fugal subject is derived from the first phrase of the chorale melody
Jesu, nun sei gepreiset, BWV 41
Jesu,_nun_sei_gepreiset,_BWV_41
Elgar - F. Germini Costume and set design: C. Parmiggiani, C. Cerri Colla Parte* (1999) Choreography: N. Verdoorn Music: P. Wachsmann / P. Lytton, Ernst
List of Aterballetto productions
List_of_Aterballetto_productions
Church cantata by Johann Sebastian Bach
soprano and three ripieno parts) as meaning that no instruments play colla parte with the voices. The listing is taken from the selection provided on
Ich bin vergnügt mit meinem Glücke, BWV 84
Ich_bin_vergnügt_mit_meinem_Glücke,_BWV_84
1714 church cantata by J.S. Bach
section in A minor the trumpets rest while the other instruments play colla parte with the voices. Polyphonic imitation expands on the idea that God will
Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172
Erschallet,_ihr_Lieder,_erklinget,_ihr_Saiten!_BWV_172
BDW 01479 BWV deest – Bach's transposition from D minor to E minor and colla parte orchestration for the first two movements of Palestrina's Missa Sine
List of masses, passions and oratorios by Johann Sebastian Bach
List_of_masses,_passions_and_oratorios_by_Johann_Sebastian_Bach
1641 Lutheran hymn in German
despair), sets the original tune for four parts. The instruments play colla parte with the voices. The cantata's autograph score is lost. The first set
Jesu, der du meine Seele, BWV 78
Jesu,_der_du_meine_Seele,_BWV_78
German composer and music educator
Brevis "Eibacher Messe" mixed Choir (S.A.T.B.) a cappella or with organ colla parte ISMN M-2054-0595-3 Sonatina Trompete, piano ISMN M-50000-173-7 Sonatina
Hans-Ludwig_Schilling
Church cantata by Johann Sebastian Bach
minor, uses oboes d'amore (Oa) in the first movement and brass playing colla parte with the voices in the last movement, a choir of cornett (Ct) and three
Du wahrer Gott und Davids Sohn, BWV 23
Du_wahrer_Gott_und_Davids_Sohn,_BWV_23
it for double chorus, SATB – SATB and unspecified instruments playing colla parte. In the second section, the choir is no longer divided, the soprano sings
Ich lasse dich nicht, BWV 1164
Ich_lasse_dich_nicht,_BWV_1164
Church cantata by Bach (1729)
in two parts, a duet and a choral fugue, with strings and instruments colla parte and a partly independent trumpet. In Telemann's cantata, it was preceded
Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145
Ich_lebe,_mein_Herze,_zu_deinem_Ergötzen,_BWV_145
Chorale cantata by Johann Sebastian Bach
bass, reinforced by the trombone and the continuo. The strings play colla parte with the other voices. On the words "daß ich mag ewig leben" (that I
Ach Herr, mich armen Sünder, BWV 135
Ach_Herr,_mich_armen_Sünder,_BWV_135
Recordings of work by Johann Sebastian Bach
(SATB) / Freut euch und jubiliert (SSAT, continuo) / Gloria (SSATB with colla parte instruments & violino obligato) / Virga Jesse (fragment – S, B, continuo)
Discography of Bach's Magnificat
Discography_of_Bach's_Magnificat
Church cantata by Johann Sebastian Bach
something old-fashioned and motet-like about the way the fugue unfolds with colla parte strings and oboes doubling. But then after twenty-three bars Bach brings
Gott, wie dein Name, so ist auch dein Ruhm, BWV 171
Gott,_wie_dein_Name,_so_ist_auch_dein_Ruhm,_BWV_171
Sacred oratorio by Johann Sebastian Bach
set them all in common time for four parts, the instruments playing colla parte with the voices. Five chorales conclude a scene (in movements 5, 14,
St_John_Passion_structure
Chorale cantata by Johann Sebastian Bach
is a four-part setting for the choir, horn, oboes and strings playing colla parte with the voices. The entries are taken from the listing on Bach Cantatas
Herr Christ, der einge Gottessohn, BWV 96
Herr_Christ,_der_einge_Gottessohn,_BWV_96
Chorale: O Mensch, bewein dein Sünde groß (Chorus, Mezzo-soprano, Baritone) Colla parte: Andante – Staatsarchiv Weimar, Dokument 8995, folio 78 verso (Tenor
Sankt-Bach-Passion
Chorvereinigung, Weltliche Männerchöre – CD: LIVA 054, 2012 – in part 2 with organ colla parte, and in part 3 a 27-bar cut (bars 110-136) C. van Zwol, p. 713 C. van
Mayer_Cantata,_WAB_60
Church cantata by Johann Sebastian Bach
are fugues, combined in motet style, the instruments playing mostly colla parte with the voices. The second section begins "Denn er wird nicht von ihm
Es ist euch gut, daß ich hingehe, BWV 108
Es_ist_euch_gut,_daß_ich_hingehe,_BWV_108
Composition by Johann Sebastian Bach
(SATB) / Freut euch und jubiliert (SSAT, continuo) / Gloria (SSATB with colla parte instruments & violino obligato) / Virga Jesse (fragment – S, B, continuo)
Magnificat in E-flat major, BWV 243a
Magnificat_in_E-flat_major,_BWV_243a
1844 missa brevis composed by Anton Bruckner
March 2022): A. Bruckner - Messe in D ohne Gloria und Credo – with organ colla parte John James with the Cerddorion Vocal Ensemble (3 March 2024): In Praise
Kronstorfer_Messe
Christmas cantata by Telemann
it comes from the Frankfurt Telemann tradition. The other copy misses colla parte instruments, ornaments and figured bass. The cantata was published in
Uns ist ein Kind geboren (Telemann)
Uns_ist_ein_Kind_geboren_(Telemann)
1847 act of the Savoyard king Charles Albert of Sardinia
Pietro Martini (1847). Sull'unione civile della Sardegna colla Liguria, col Piemonte e colla Savoia. Cagliari: Timon. p. 4. Wright, O. J. (July 2007)
Perfect_Fusion
four-part chorale harmonisations are characteristically written down with a colla parte instrumentation and figured bass accompaniment, sometimes also with interludes
Dietel_manuscript
17th-century German Christian hymn
is a reworked version of Vetter's four-part setting, for SATB choir, colla parte instruments and figured bass, with the last stanza of Neumann's hymn
Liebster Gott, wann werd ich sterben
Liebster_Gott,_wann_werd_ich_sterben
Country in South America
economic and cultural differences such as those associated with the camba and colla demonyms. One-third of the country is within the Andean mountain range.
Bolivia
Italian cyclist and biologist (1854–1913)
neighboring regions ... Hymenoptera. Imenotteri. Parte prima. Mutillidei, Scoliidei, Tifiidei, Tinnidei; colla descrizione di parecchie nuove specie (with
Paolo_Magretti
fregiate la Vostra bandiera, quella bandiera coi tre colori e colla eletta gioventù qui da ogni parte d'Italia convenuta e sotto a lei raccolta, vi addita che
Flag_of_Italy
Perdido). The tracks were adapted into Portuguese by Brazilian composer Carlos Colla [pt]. The former album also contains Portuguese-language versions of "1+1=2
List of songs recorded by Luis Miguel
List_of_songs_recorded_by_Luis_Miguel
COLLA PARTE
COLLA PARTE
Girl/Female
Greek American
The most beautiful.
Surname or Lastname
English
English : from a reduced form of the personal name Nicholas.Scottish or Irish : reduced form of McColl.Catalan : topographic name from coll ‘mountain pass’, from Latin collis ‘hill’.Americanized spelling of German Koll or Kohl.
Surname or Lastname
English
English : variant of Collier.Spanish : from collar ‘collar’.Americanized spelling of German Koller or Kohler.
Biblical
a collar; ornament
Girl/Female
Japanese
Child with a collar. The suffix -ko means child.
Boy/Male
Australian, Gaelic
Handsome; Good-looking Lad
Girl/Female
British, English
Super
Boy/Male
Gaelic
Dwells at the woodland.
Boy/Male
Irish
An ancient Irish name whos meaning is lost in antiquety.
Girl/Female
Australian, British, Christian, Danish, English, Finnish, French, German, Greek, Latin, Swedish
A Diminutive of Priscilla Made Famous by 1960s British Singer Cilia Black; Fruitful; Blind; Ancient; Sixth
Girl/Female
Arabic, Australian
Poppy
Female
English
Pet form of English Cecilia, CILLA means "blind."
Boy/Male
Australian, Biblical, German
A Collar; Ornament
Girl/Female
English Latin
A made famous by 1960s British singer CilIa Black, who was born Priscilla White.
Boy/Male
Christian, Greek, Indian, Italian, Sanskrit
A Long Robe
Girl/Female
Arabic, Muslim
Arabian Jasmine Flower
Girl/Female
Australian, French, Irish
Dove
Boy/Male
Gaelic
child.
Female
English
English name derived from the name of the Calla Lily, from Greek kallaia, CALLA means "wattle of a cock," from kallos meaning "beauty."Â
Boy/Male
Scottish
Son of Coll.
COLLA PARTE
COLLA PARTE
Girl/Female
Gujarati, Hindu, Indian, Pakistani
Fire
Boy/Male
Assamese, Bengali, Hindu, Indian, Jain, Kannada, Marathi, Telugu
One who has No Enemies
Boy/Male
English
Lives in Wolfe's cottage.
Girl/Female
Indian
The Sun
Boy/Male
Tamil
Subhashish | ஸà¯à®ªà®¾à®·à®¿à®·
Good wishes
Boy/Male
British, English, Jamaican
Son of Roger
Boy/Male
Arabic, Muslim
Guide
Boy/Male
Hindu
Spirited, Energy, Nerve
Boy/Male
Celtic Welsh
Mythical son of Gwynham.
Surname or Lastname
Scottish
Scottish : patronymic from Small.English : possibly a topographic name for someone who lived by a rabbit warren, from the plural of Middle English smyle ‘burrow’ (Old English smygels).
COLLA PARTE
COLLA PARTE
COLLA PARTE
COLLA PARTE
COLLA PARTE
v. t.
To put a collar on.
imp. & p. p.
of Colly
n.
Same as Cella.
n.
A dish of stewed meat; an olio; an olla-podrida.
p. pr. & vb. n.
of Colly
v. t.
To seize by the collar.
imp. & p. p.
of Collar
n.
A gentleman's shirt collar.
pl.
of Collum
n.
A collar beam.
n.
A collar or cape.
a.
Wearing a collar.
n.
Same as Collar.
p. pr. & vb. n.
of Holla
n.
A ring or round flange upon, surrounding, or against an object, and used for restraining motion within given limits, or for holding something to its place, or for hiding an opening around an object; as, a collar on a shaft, used to prevent endwise motion of the shaft; a collar surrounding a stovepipe at the place where it enters a wall. The flanges of a piston and the gland of a stuffing box are sometimes called collars.
n.
Something worn round the neck, whether for use, ornament, restraint, or identification; as, the collar of a coat; a lady's collar; the collar of a dog.
n.
A term used by modern archaeologists instead of cella. See Cella.
imp. & p. p.
of Holla
n.
Soot; smut. See 1st Colly.
p. pr. & vb. n.
of Collar