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ANTONIO CORNAZZANO

  • Antonio Cornazzano
  • Italian poet, writer, biographer, and dancing master (c. 1430–1484)

    Antonio Cornazzano (c. 1430 in Piacenza – 1484 in Ferrara) was an Italian poet, writer, biographer, and dancing master. In the city of Piacenza, which

    Antonio Cornazzano

    Antonio Cornazzano

    Antonio_Cornazzano

  • List of Renaissance figures
  • Victoria Adrian Willaert Carlo Gesualdo Balthasar de Beaujoyeulx Antonio Cornazzano Domenico da Piacenza Fabritio Caroso Thoinot Arbeau Cesare Negri Christopher

    List of Renaissance figures

    List of Renaissance figures

    List_of_Renaissance_figures

  • History of ballet
  • 1470) was one of the first dancing masters. Along with his students, Antonio Cornazzano and Guglielmo Ebreo da Pesaro, he was trained in dance and responsible

    History of ballet

    History of ballet

    History_of_ballet

  • Piacenza
  • Comune in Emilia-Romagna, Italy

    Luigi Corbellini (1901–1968), post-impressionist painter and sculptor Antonio Cornazzano (c. 1432–1484), poet and humanist, courtier at Milan and Ferrara Saint

    Piacenza

    Piacenza

    Piacenza

  • Eleanor of Naples, Duchess of Ferrara
  • Duchess of Ferrara, Modena and Reggio from 1473 to 1493

    great influence to many. She was the inspiration for works such as Antonio Cornazzano's Del modo di regere et di regnare, which he dedicated to her. Da Ladibus

    Eleanor of Naples, Duchess of Ferrara

    Eleanor of Naples, Duchess of Ferrara

    Eleanor_of_Naples,_Duchess_of_Ferrara

  • Antonio Barzizza
  • Cauteriaria survives in at least 18 manuscripts. The play Fraudiphila of Antonio Cornazzano was partially inspired by Cauteriaria. Peter Luder brought a copy

    Antonio Barzizza

    Antonio Barzizza

    Antonio_Barzizza

  • Basse danse
  • Renaissance court dance

    northern Italy towards the end of the 15th century, and by his friend Antonio Cornazzano, for whom it was the queen of all dance measures, low dance to be

    Basse danse

    Basse danse

    Basse_danse

  • Renaissance dance
  • Type of dance

    surviving works of three Italian dance masters: Domenico da Piacenza, Antonio Cornazzano and Guglielmo Ebreo da Pesaro. Their work deals with similar steps

    Renaissance dance

    Renaissance dance

    Renaissance_dance

  • Saltarello
  • Italian musical dance

    dance treatise that dealt with the saltarello was the 1465 work of Antonio Cornazzano.) A clearer, detailed description of this step and meter appears in

    Saltarello

    Saltarello

    Saltarello

  • Domenico da Piacenza
  • Italian Renaissance dancing master (c. 1400–c. 1470)

    He became a very popular teacher with his students – most notably Antonio Cornazzano and Guglielmo Ebreo da Pesaro – who both later became successful dance

    Domenico da Piacenza

    Domenico_da_Piacenza

  • Italian literature
  • Masuccio Salernitano (Tommaso Guardato), who wrote the Novellino, and Antonio Cornazzano whose Proverbii became extremely popular. Chronicles formerly believed

    Italian literature

    Italian literature

    Italian_literature

  • Culture of Italy
  • Piacenza was one of the first dancing masters. Along with his students, Antonio Cornazzano and Guglielmo Ebreo, he was trained in dance and responsible for teaching

    Culture of Italy

    Culture of Italy

    Culture_of_Italy

  • List of military theorists and writers
  • historian and strategist; Some Principles of Naval Strategy (1911) Antonio Cornazzano (1429–1484), Italian author; De re militari (Digital copy*) Conrad

    List of military theorists and writers

    List_of_military_theorists_and_writers

  • History of feminism
  • Chronological narrative of the movements and ideologies aimed at equal rights for women

    women are capable and able to compete equally with men, including Antonio Cornazzano, Vespasiano da Bisticci, and Giovanni Sabadino degli Arienti. Castiglione

    History of feminism

    History_of_feminism

  • Italian ballet
  • Training methods and aesthetic qualities in classical ballet in Italy

    Piacenza was one of the first dancing masters. Along with his students, Antonio Cornazzano and Guglielmo Ebreo, he was trained in dance and responsible for teaching

    Italian ballet

    Italian ballet

    Italian_ballet

  • Piva (dance)
  • Italian Renaissance dance

    sources it is described as the fastest version of the basse danse. Antonio Cornazzano, for example, in his Libro del'arte del danzare (ca. 1455), explains

    Piva (dance)

    Piva_(dance)

  • List of Renaissance composers
  • – 1492 French William Hawte William Haute c. 1430 – 1497 English Antonio Cornazzano c. 1430 – 1484 Italian Dancing master Guillaume le Rouge fl. 1450-after

    List of Renaissance composers

    List_of_Renaissance_composers

  • Pompeo Cornazzano
  • 17th-century Roman Catholic bishop

    Pompeo Cornazzano, O. Cist. (1576–1647) was a Roman Catholic prelate who served as Bishop of Parma (1615–1647). Pompeo Cornazzano was born in Pavie, Italy

    Pompeo Cornazzano

    Pompeo_Cornazzano

  • Palazzo Colleoni alla Pace
  • Palace in Brescia, Italy

    organized by an intellectual at the service of the condottiero, such as Antonio Cornazzano, who lived in Colleoni's residence until his death in 1475. Bartolomeo

    Palazzo Colleoni alla Pace

    Palazzo Colleoni alla Pace

    Palazzo_Colleoni_alla_Pace

  • Malpaga Castle
  • Castle in Cavernago, Italy

    castle A dinner at the castle A fresco with soldiers Hunting scene Cornazzano, Antonio (1990). G. Crevatin (ed.). Vita di Bartolomeo Colleoni. Manziana:

    Malpaga Castle

    Malpaga Castle

    Malpaga_Castle

  • Cappella Colleoni
  • Chapel and mausoleum in Bergamo, Italy

    identify. Renaissance in Lombardy Bartolomeo Colleoni Giovanni Antonio Amadeo Cornazzano (1990, "He built himself a living tomb, for the generosity of

    Cappella Colleoni

    Cappella Colleoni

    Cappella_Colleoni

  • Lordship of Milan
  • Former lordship in Italy (1259–1395)

    January 1316: Ruggero Servadei May 1316 – November 1316: Jacopino da Cornazzano November 1316 – June 1317: Bonifacio da Alice June 1317 – December 1317:

    Lordship of Milan

    Lordship of Milan

    Lordship_of_Milan

  • Rossi family
  • Italian noble family

    several prominent local families, including the Palmias, Ruggeris, and Cornazzanos. Members of these families later held various positions within the Rossi

    Rossi family

    Rossi family

    Rossi_family

  • Alessandro Rossi (bishop of Parma)
  • Italian Roman Catholic prelate

    Caccia Bishop of Castro del Lazio 1611–1614 Succeeded by Antonio Massa Preceded by Papirio Picedi Bishop of Parma 1614–1615 Succeeded by Pompeo Cornazzano

    Alessandro Rossi (bishop of Parma)

    Alessandro_Rossi_(bishop_of_Parma)

  • Libro de' Disegni
  • Collection of drawings, collected by Giorgio Vasari

    cross 4914 5084 Jabach 1671 Jabach 1671 Entry Entry Francesco Maria da Cornazzano, known as Zoppino da Modena Young woman helping a hermit out of a pit

    Libro de' Disegni

    Libro de' Disegni

    Libro_de'_Disegni

  • Diocese of Parma
  • Roman Catholic diocese in Italy

    protonotary apostolic and vicar general of the diocese of Parma. Bishop Pompeo Cornazzano, O.Cist. (1615–1647) held a diocesan synod in November 1621. Bishop Carlo

    Diocese of Parma

    Diocese of Parma

    Diocese_of_Parma

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  • ANDONIS
  • Male

    Greek

    ANDONIS

    (Ανδώνης) Contracted form of Greek Andonios, possibly ANDONIS means "invaluable." 

    ANDONIS

  • ANTON
  • Male

    German

    ANTON

     German form of Greek Antonios, possibly ANTON means "invaluable." Compare with other forms of Anton.

    ANTON

  • ANTONIO
  • Male

    Italian

    ANTONIO

    Italian and Spanish form of Latin Antonius, possibly ANTONIO means "invaluable." 

    ANTONIO

  • ANTONIJE
  • Male

    Serbian

    ANTONIJE

    Serbian form of Greek Antonios, possibly ANTONIJE means "invaluable." 

    ANTONIJE

  • ANTONIA
  • Female

    English

    ANTONIA

     Feminine form of Roman Latin Antonius, possibly ANTONIA means "invaluable." In use by the English, Italians and Spanish. Compare with another form of Antonia.

    ANTONIA

  • ANTONIA
  • Female

    Italian

    ANTONIA

    (Bulgarian Антония): Feminine form of Roman Latin Antonius, possibly ANTONIA means "invaluable." In use by the English, Italians and Spanish. Compare with another form of Antonia.

    ANTONIA

  • ANDONIOS
  • Male

    Greek

    ANDONIOS

    (Ανδώνιος) Greek form of Latin Antonius, possibly ANDONIOS means "invaluable." 

    ANDONIOS

  • ANTONI
  • Male

    Polish

    ANTONI

     Catalan and Polish form of Latin Antonius, possibly ANTONI means "invaluable." Compare with another form of Antoni.

    ANTONI

  • ANTONO
  • Male

    Esperanto

    ANTONO

    Esperanto form of Latin Antonius, possibly ANTONO means "invaluable." 

    ANTONO

  • ANTONIYA
  • Female

    Russian

    ANTONIYA

    (Антония) Feminine form of Russian Antoniy, possibly ANTONIYA means "invaluable." 

    ANTONIYA

  • TONIO
  • Male

    Italian

    TONIO

    Pet form of Italian/Spanish Antonio, possibly TONIO means "invaluable." 

    TONIO

  • ANTONINO
  • Male

    Italian

    ANTONINO

    Italian form of Latin Antoninus, possibly ANTONINO means "invaluable." 

    ANTONINO

  • ANTONIOS
  • Male

    Greek

    ANTONIOS

    (Αντώνιος) Greek name, possibly ANTONIOS means "invaluable." 

    ANTONIOS

  • ANTON
  • Male

    Russian

    ANTON

    (Антон) Russian form of Greek Antonios, possibly ANTON means "invaluable." Compare with other forms of Anton.

    ANTON

  • ANTONIS
  • Male

    Greek

    ANTONIS

    (Αντώνης) Contracted form of Greek Antonios, possibly ANTONIS means "invaluable." 

    ANTONIS

  • ANTONIY
  • Male

    Russian

    ANTONIY

    (Антоний) Russian form of Greek Antonios, possibly ANTONIY means "invaluable." 

    ANTONIY

  • ANTOINE
  • Male

    French

    ANTOINE

    French form of Latin Antonius, possibly ANTOINE means "invaluable."

    ANTOINE

  • ANTON
  • Male

    Romanian

    ANTON

     Romanian form of Greek Antonios, possibly ANTON means "invaluable." Compare with other forms of Anton.

    ANTON

  • ANTONIN
  • Male

    French

    ANTONIN

    French form of Latin Antoninus, possibly ANTONIN means "invaluable."

    ANTONIN

  • ANTONIA
  • Female

    Spanish

    ANTONIA

     Feminine form of Roman Latin Antonius, possibly ANTONIA means "invaluable." In use by the English, Italians and Spanish.

    ANTONIA

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ANTONIO CORNAZZANO

Online names & meanings

  • Sagiv
  • Boy/Male

    Australian, Hawaiian, Hebrew

    Sagiv

    Mighty; With Strength

  • Zivah
  • Girl/Female

    Israeli

    Zivah

    Radiant.

  • Jackman
  • Surname or Lastname

    English

    Jackman

    English : occupational name for the servant of someone who bore the personal name Jack.English : Americanized form of French Jacquème (see James).Americanized form of one or more like-sounding Jewish surnames.Americanized spelling of German Jachmann or Jackmann, from a Czech pet form of a name ultimately from the Biblical name Yochanam (see John) + Middle High German man ‘man’.

  • Gammill
  • Surname or Lastname

    English

    Gammill

    English : variant of Gamble.

  • Tenzing
  • Girl/Female

    Buddhist, Hindu, Indian

    Tenzing

    Protector of Dharma

  • Lavali
  • Girl/Female

    Gujarati, Hindu, Indian, Kannada, Malayalam, Marathi, Sanskrit, Sindhi, Tamil, Telugu

    Lavali

    Close; Clove

  • Ode
  • Girl/Female

    Egyptian

    Ode

    From the road.

  • Ganapatizhankilai | கணபதிஜ்ஹஂகீலாஈ
  • Boy/Male

    Tamil

    Ganapatizhankilai | கணபதிஜ்ஹஂகீலாஈ

    Lord Murugan

  • RHETT
  • Male

    English

    RHETT

    American English surname transferred to forename use, derived from Dutch de Raedt, from Middle Dutch raet, RHETT means "advice."

  • Neelima
  • Girl/Female

    Hindu

    Neelima

    A beauty by its blue reflection

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ANTONIO CORNAZZANO

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Other words and meanings similar to

ANTONIO CORNAZZANO

AI search in online dictionary sources & meanings containing ANTONIO CORNAZZANO

ANTONIO CORNAZZANO

  • Counterterm
  • n.

    A term or word which is the opposite of, or antithesis to, another; an antonym; -- the opposite of synonym; as, "foe" is the counterterm of "friend".

  • Entonic
  • a.

    Having great tension, or exaggerated action.

  • Atonic
  • a.

    Destitute of tone vocality; surd.

  • Santonin
  • n.

    A white crystalline substance having a bitter taste, extracted from the buds of levant wormseed and used as an anthelmintic. It occassions a peculiar temporary color blindness, causing objects to appear as if seen through a yellow glass.

  • Atonic
  • n.

    An element of speech entirely destitute of vocality, or produced by the breath alone; a nonvocal or surd consonant; a breathing.

  • Santonate
  • n.

    A salt of santonic acid.

  • Atonic
  • a.

    Characterized by atony, or want of vital energy; as, an atonic disease.

  • Antonym
  • n.

    A word of opposite meaning; a counterterm; -- used as a correlative of synonym.

  • Santoninic
  • a.

    Of or pertaining to santonin; -- used specifically to designate an acid not known in the free state, but obtained in its salts.

  • Reaumur
  • a.

    Of or pertaining to Rene Antoine Ferchault de Reaumur; conformed to the scale adopted by Reaumur in graduating the thermometer he invented.

  • Atonic
  • n.

    A word that has no accent.

  • Tace
  • n.

    The cross, or church, of St. Antony. See Illust. (6), under Cross, n.

  • Atonic
  • n.

    A remedy capable of allaying organic excitement or irritation.

  • Captivate
  • v. t.

    To acquire ascendancy over by reason of some art or attraction; to fascinate; to charm; as, Cleopatra captivated Antony; the orator captivated all hearts.

  • Saxhorn
  • n.

    A name given to a numerous family of brass wind instruments with valves, invented by Antoine Joseph Adolphe Sax (known as Adolphe Sax), of Belgium and Paris, and much used in military bands and in orchestras.

  • Atonic
  • a.

    Unaccented; as, an atonic syllable.

  • Santonic
  • a.

    Of, pertaining to, or designating, an acid (distinct from santoninic acid) obtained from santonin as a white crystalline substance.

  • Surd
  • a.

    Uttered, as an element of speech, without tone, or proper vocal sound; voiceless; unintonated; nonvocal; atonic; whispered; aspirated; sharp; hard, as f, p, s, etc.; -- opposed to sonant. See Guide to Pronunciation, //169, 179, 180.