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Pottery decorating technique
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze
Underglaze
Vases
lotus scrolls directly from Persian silverwork. The use of cobalt as an underglaze color was introduced to China from Iraq, where Abbasid potters had been
Blue_and_white_pottery
English brand of pottery and homewares
and bone china. Spode perfected the technique for transfer printing in underglaze blue on fine earthenware in 1783–1784 – a development that led to the
Spode
white Chinese porcelain in a limited range of colours. It normally uses underglaze cobalt blue for the design outline and some parts of the images, and overglaze
Wucai
Type of Japanese porcelain ware
of most Japanese porcelain, with the outlines of the pattern done in underglaze blue before the overglaze "enamelled" final decoration. Nabeshima ware
Nabeshima_ware
Type of Japanese porcelain ware
Typically Imari ware (in the English use of the term) is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours
Imari_ware
Method of decorating pottery
Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied before glazing, notably
Overglaze_decoration
1392–1897 Korean dynasty
white porcelain decorated with cobalt, copper red underglaze, blue underglaze and iron underglaze. Ceramics from the Joseon period differ from other
Joseon
Brand of dishware manufactured in the United States
their underglaze decoration and colorful patterns, Blue Ridge pieces are now popular items with collectors of antique dishware. The underglaze technique
Blue_Ridge_(dishware)
National museum in London, England
Avalokiteśvara, India, 12th century AD Room 33 – Covered hanging jar with underglaze decoration, Si Satchanalai (Sawankalok), north-central Thailand, 14th–16th
British_Museum
Ceramic material
specifically for their striking effects on porcelain. Porcelain often receives underglaze decoration using pigments that include cobalt oxide and copper, or overglaze
Porcelain
Pottery and porcelain from China
use of underglaze painting; examples have been found in many places in the Islamic world. However, their production tailed off as underglaze painting
Chinese_ceramics
Chinese pottery produced in Jingdezhen
acceptable by 1402) accompanied by red and white wares using a copper-based underglaze red. This was sometimes combined with the cobalt blue in blue and red
Jingdezhen_porcelain
Chinese porcelain vessel
were painted in a cobalt blue underglaze outline, before being filled in with enamel pigments. The softness of the underglaze blue was achieved through using
Chicken_Cup_(Chenghua)
"백자 철화포도원숭이문 항아리" [White Porcelain Jar with Grape and Monkey Design in Underglaze Iron]. Korea Heritage Service (in Korean). Retrieved February 5, 2024
National Treasure (South Korea)
National_Treasure_(South_Korea)
Fused coating on ceramic objects
Pottery, Nara period Meissen porcelain, with blue underglaze decoration on porcelain Mug with blue underglaze decoration on porcelain. Coloured lead glazes
Ceramic_glaze
Traditional craft from Jaipur, India
appeared in Iraq under the Abbasid Caliphate. The use of cobalt as an underglaze color was introduced to China from Iraq, where Abbasid potters had been
Blue_pottery_of_Jaipur
Art of painting on ceramics
first fired in a kiln to convert it into a hard porous biscuit or bisque. Underglaze decoration may then be applied, followed by glaze, which is fired so it
China_painting
Puerto Rican artist and musician (1900–1969)
a silkscreened underglaze tile printing studio,Designed Tiles, at 22 East 21 Street in New York's Flatiron District. New to underglaze tile decoration
Esteban_Soriano
Type of Japanese porcelain ware
Europe often using Western shapes and Chinese decoration. Early wares used underglaze blue decoration, but by the mid-17th century Arita was in the forefront
Arita_ware
Technique in painting Chinese porcelain
where parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired. The rest of the design is
Doucai
the other main methods of adding painted colours to pottery. These are underglaze painting, where the paint is applied before the glaze, which then seals
In-glaze_decoration
Type of Japanese porcelain ware
and directing their production. It is known mainly for its sometsuke underglaze cobalt blue and white porcelain, with the amount of blue often low, showing
Hirado_ware
1256-1335 Post-Mongol Empire khanate in Iran
paste with a green or gray-brown slip. Bowls of this type were typically underglaze-painted with animal figures with a background of leaves. Kashan remained
Ilkhanate
Persianate, Muslim Turkoman confederation (1374–1468)
The celebrated tilework of the Blue Mosque consists in "unrivalled" underglaze painted tile and mosaics, using shades of cobalt blue and incized gold
Qara_Qoyunlu
Capital of Hunan, Central China
Kiln in Changsha during the Tang dynasty produced the world's earliest underglaze porcelain, which was exported to Western Asia, Africa, and Europe. In
Changsha
Porcelain dishware design
created their own style and feel. Among the earliest Chinese examples are underglaze blue and white porcelains of the early Ming Dynasty. The Meissen painters
Blue_Onion
Style of Japanese pottery
piece using an iron-based underglaze, then the piece is fired with a semitransparent gray glaze which allows the underglaze to show. This style is known
Karatsu_ware
Type of decorated ceramic
established centre for the production of simple earthenware pottery with an underglaze decoration when, in the last quarter of the 15th century, craftsmen in
Iznik_pottery
Type of vase in Chinese ceramics
Vase with horizontal ribs, Southern Song period Vase with copper-red underglaze, Ming dynasty 18th-century vase Porcelain, Jingdezhen ware, painted with
Meiping
Chinese powdered tobacco containers
glass, and enamel bottles were painted, either through overglaze and underglaze methods, while bottles made from natural materials were usually carved
Snuff_bottle
Russian porcelain manufacturer based in Saint Petersburg
motifs. As a rule, the vases were covered by underglaze decor. Every vase had a unique form. The underglaze decoration made it possible for the artists
Imperial Porcelain Factory, Saint Petersburg
Imperial_Porcelain_Factory,_Saint_Petersburg
Korean porcelain jar
with large dragons against a background of stylized clouds, painted with underglaze pigments. In addition to being a generally auspicious symbol, the dragon
Dragon_jar
Artworks that are three-dimensional objects
Chinese jade Cup with Dragon Handles, Song dynasty, 12th century Blue underglaze statue of a man with his pipe, Jingdezhen porcelain, Ming Wanli period
Sculpture
English pottery manufacturer
Although all the standard types of colour decoration were used at times (underglaze painting, overglaze enamels and transfer printing), a high proportion
Leeds_Pottery
Italian ceramic
piccolo fuoco (third firing). The gran fuoco technique, also known as underglaze decoration, was the only one in use until the mid 18th century, but was
Lodi_ceramics
First European hard-paste porcelain
some European landscape scenes were painted from early on. The signature underglaze "Meissen Blue" was introduced by Friedrich August Köttig. Soon minutely
Meissen_porcelain
China, Korean potters created their own unique style of pottery. Jinsa "underglaze red", a technique using copper oxide pigment to create copper-red designs
Korean_art
Pottery with a reflective or iridescent surface
usual Persian word for a tile". The painting usually combined cobalt blue underglaze painting with overglaze lustre, and that of the figures is often rather
Lustreware
City in Razavi Khorasan Province, Iran
inscriptions in Kufic script. Terracotta, slipped decoration on slip, underglaze painted. 10th-11th century, Nishapur. Metropolitan Museum of Art The special
Nishapur
Korean dynasty (918–1392)
direction than their Chinese forebears; instead of relying solely on underglaze incised designs, they eventually developed the sanggam technique of inlaying
Goryeo
Type of Chinese porcelain
Tianqi porcelain or ko sometsuke (古染付け) refers to Chinese underglaze blue porcelain made in the unofficial kilns of Jingdezhen for a largely Japanese market
Tianqi_porcelain
Open container, often used to hold cut flowers
Metropolitan Museum of Art Two Chinese flasks with dragons; 1403–1424; underglaze blue porcelain; height (the left one): 47.8 cm, height (the right one):
Vase
Japanese ceramics made for foreign trade
also shipped to Japan the large quantities of cobalt required for the underglaze blue colour. As well as Europe, significant quantities were landed by
Japanese_export_porcelain
Craft of making objects from clay
together gold leaf, sugar, and salt, followed by washing to remove solubles Underglaze decoration is applied, by several techniques, onto ware before it is glazed;
Pottery
Loose grouping of Chinese export porcelain wares
generally coarse, crudely potted and often under-fired. Decoration in underglaze blue and white using cobalt is the most common, and was probably the only
Swatow_ware
Islamic building in Al-Aqsa, Jerusalem
different styles and techniques, including cuerda seca tiles, multi-coloured underglaze tiles, and blue-and-white tilework, resembling the Iznik tiles that were
Dome_of_the_Rock
Mongol-led dynasty of China (1271–1368)
expansion, with the great innovation the development in Jingdezhen ware of underglaze painted blue and white pottery. This seems to have begun in the early
Yuan_dynasty
Second-holiest city in Islam and Capital of Medina Province, Saudi Arabia
Panel representing the Mosque of Medina. Found in İznik, Turkey, 18th century. Composite body, silicate coat, transparent glaze, underglaze painted.
Medina
Turkish state in central Anatolia from 1077 to 1308
Rizzoli. 1980. pp. 175–176. ISBN 978-0-8478-0273-9. Usually made in the underglaze technique, the star tiles contain an extremely rich figural design, depicting
Sultanate_of_Rum
great variety of wares and some figures. However the main production was underglaze blue and white porcelain with the fashionable Oriental designs, which
Liverpool_porcelain
Legendary creature in Korean mythology
wind chime, Metropolitan Museum of Art White Porcelain Jar with yong in Underglaze Cobalt Blue, Joseon, Metropolitan Museum of Art White Porcelain Plate
Korean_dragon
Goryeo-era palace in Kaesong, North Korea
date. A 25 cm celadon jar with an inlaid monkey and tree design in an underglaze of gold found at the site is held at the National Museum of Korea. Excavation
Manwŏltae
Dutch pottery
Blue borrows from the tin-glaze tradition, it is nearly all decorated in underglaze blue on a white clay body and very little uses tin glaze, a more expensive
Delftware
Palace in Lake Beyşehir, Turkey
in the Islamic world with so varied a tile decoration. Painted with an underglaze of blue, purple, turquoise and green, the series consists of white, star-shaped
Kubadabad_Palace
January 2014) was a ceramic artist who specializes in using ash glaze and underglaze graphic drawings of figures. Trained at the Central School of Arts and
Eric_James_Mellon
Founder of the Spode pottery works (1733-1797)
quality of its wares. He is often credited with the establishment of blue underglaze transfer printing in Staffordshire in 1781–84, and with the definition
Josiah_Spode
Goryeo-era Korean pottery and porcelain
There are records describing celadon of this age as world best. Jinsa "underglaze red", a technique using copper oxide pigment to create copper-red designs
Goryeo_ware
Pottery of Iran
centre of production for the three main types of fine wares, lustreware, underglaze painted ware and polychrome overglaze painted mina'i ware. All used a
Persian_pottery
Pottery of Islamic lands
produced under the Ikhanids and are recognisable by their often dark blue underglazes and patterned decorations. Carved decoration in ceramics, sgraffito,
Islamic_pottery
technique, invented overglaze enameling, and explored breakthroughs in underglaze painting. The production of these lustre wares grew tremendously. The
Lajvardina
be rendered almost transparent to show black and white inlays. Jinsa "underglaze red", a technique using copper oxide pigment to create copper-red designs
Korean_pottery_and_porcelain
Kirigome ware sake bottle, palace and landscape design, blue underglaze. Edo period, 19th century
Kirigome_ware
Archaeological site
covers about 68 hectares and found in 1956, it was the source place of underglaze by the Palace Museum's identification in 1957. The place was published
Tongguan_Kiln
Round, open-top container frequently used as tableware
bowl with decoration of the "Three Friends"; 1426–1435 CE; porcelain with underglaze blue decoration; diameter: 30.2 cm; Cleveland Museum of Art (U.S.)
Bowl
strong tiles with a colourless body that provided a suitable base for underglaze and decoration. Fritware was also known to be used to craft objects beyond
Fritware
Family of potters, operating from late 18th to late 20th century
transfer-printed with heavily elaborate designs, mostly in a durable underglaze cobalt blue. Much of this went to the American market, and was given American
Ridgway_Potteries
Deep blue glass coloured with cobalt
period, and is little used today. However, when used in ceramics for underglaze decoration, it keeps its colour well, and is the main blue used in blue
Cobalt_glass
American potter and businesswoman
freehand painted nautical designs directly onto the pieces. She then applied underglaze decoration to the pieces and fired them in gas kilns at 2300 degrees F
Mary_Alice_Hadley
English porcelain factory in operation 1757-1802
During the early period wares decorated with Chinese-inspired scenes in underglaze blue were produced. This type of decoration continued to form the majority
Lowestoft_Porcelain_Factory
Method of decorating ceramics
the firing. This can be done over or under the ceramic glaze, but the underglaze ("underprinting") method gives much more durable decoration. The ceramic
Transfer_printing
Major jewellery retailer
decorated table china by Spode and Mintons was being produced bearing underglaze backstamps indicating that they were made expressly for J.E. Caldwell
J.E._Caldwell_&_Co.
Danish painter
He was also employed by Royal Copenhagen as an artist (signature in underglaze) in the period 1894–95. He is buried in Hellerup Cemetery. "Kunstindeks
Christian_Mourier-Petersen
previous decades in favour of a more Impressionist style which combined underglaze painting techniques with inspiration from Japanese imagery and European
Arnold_Krog
Motif in Asian ceramics
themselves. The development of blue and white pottery in China, with detailed underglaze painting in cobalt blue pigments from Iran, is generally seen as a result
Rock_and_wave
2025-08-25. 백자 청화운룡문 병 [White Porcelain Bottle with Cloud and Dragon Design in Underglaze Cobalt Blue]. Cultural Heritage Administration (in Korean). Retrieved
List of Treasures of South Korea (1980–1984)
List_of_Treasures_of_South_Korea_(1980–1984)
French terms for classifying Chinese porcelain
It developed from the wucai (五彩, "five colours") style, which combines underglaze cobalt blue with a few overglaze colours. The famille verte enamels may
Familles jaune, noire, rose, and verte
Familles_jaune,_noire,_rose,_and_verte
Printing technique
City studios in wartime started decorating ceramic tiles with fire-on underglaze applied by silkscreen starting as early as 1939: Harold Ambellan's workshop
Screen_printing
Type of Persian pottery
period also introduced underglaze decoration to Persian pottery, around 1200, and later mina'i pieces often combine both underglaze and overglaze decoration;
Mina'i_ware
Type of Japanese pottery
If Shinos are applied on top of most glazes, the off-gassing from the underglaze will bubble through the Shino, resulting in undesirable pitting and other
Shino_ware
Decorative objects made from clay and other raw materials by the process of pottery
successfully. Far from perfecting underglaze print Wedgwood was persuaded by his painters not to adopt underglaze printing until it became evident that
Ceramic_art
One of the Eight Taoist Immortals
Porcelain figure of Zhongli Quan decorated in underglaze cobalt blue, Wanli period (1573–1620), Ming dynasty, Hallwyl Museum, Sweden
Zhongli_Quan
Dutch ceramic artist and photographer
2023 Cola Debrot Prize Totem of Confusions (60x30x220 cm), earthenware, underglaze and oxides, 7th biennial of Havana, 2000 Frozen Turmoil (20x18x30 cm)
Ellen_Spijkstra
Style of lustreware pottery
in siliceous glaze, with decorations in brown luster or blue and back underglaze. The glazes most often vary in both transparency and shades of turquoise
Raqqa_ware
Ottoman mosque in Silivrikapi, Istanbul, Turkey
portico on the north façade are three lunette panels and two roundels. The underglaze painted tiled panels have white thuluth lettering reserved on a dark cobalt
Hadim_Ibrahim_Pasha_Mosque
Part of a container that closes or seals it by fitting over and around the opening
the Great Exhibition of 1851. By the 1880s in Britain black-and-white underglaze transfer-printed moulded pottery lids were being made in quantity to advertise
Lid
Religious monument in Kairouan, Tunisia
the features that is characteristic of the 17th century is the use of underglaze-painted Qallalin tiles to decorate many of its walls. These tiles, produced
Zawiya_of_Sidi_Sahib
Period of Japanese history (1868–1912)
Underglaze blue painting on porcelain was well-established in Japan, and the Kozan workshop transformed this practice, combining multiple underglaze colors
Meiji_era
Line of ceramic glazed dinnerware
Fiesta were glazed in a dark 'bean-pot' brown, flat pieces were given an underglaze 'Mediterranean-style' geometric decal in black, and the line was marketed
Fiesta_(dinnerware)
is formed. There are blue and white porcelain tablewares with floral underglaze decoration imitating Chinese wares. Japanese export porcelain in the Kakiemon
Bow_porcelain_factory
Medieval Persian pottery
ware. Sultanabad ware includes Colored Ground wares, ʿErāq wares, Black underglaze painted turquoise glazed wares, as well as blue and black Panel wares
Sultanabad_ware
Pottery from Jiangxi, China
Brown and white underglaze painting
Jizhou_ware
Pottery fired at a relatively high temperature
like elsewhere the border with porcelain is imprecise. Celadons and much underglaze blue and white pottery can be called stoneware. Historical stoneware production
Stoneware
Traditional Japanese teapot
period-early Meiji era Kyūsu tea pot with sidehandle, design of landscape, underglaze blue, by Mizukoshi Yosobei in Kyoto, late Edo period or the early Meiji
Kyūsu
decoration that combined multiple underglaze colours on each item. The technical sophistication of his underglazes increased during this decade as he
Japanese pottery and porcelain
Japanese_pottery_and_porcelain
Type of Japanese porcelain ware
direction of Ōmura Yoshiaki, daimyo of Ōmura Domain. Typical Hasami ware uses underglaze cobalt blue and celadon, but at first they produced stonewares. Later
Hasami_ware
Type of Chinese ceramics
terms as "Northern black wares", or "Northern dark wares". As well as underglaze slip-painting, overglaze enamelling was sometimes used, for the first
Cizhou_ware
Ottoman architectural style of the 16th and 17th centuries
this was also the first mosque in Istanbul to make significant use of underglaze-painted Iznik tiles in its decoration. These tiles cover the wall around
Classical Ottoman architecture
Classical_Ottoman_architecture
Cream-coloured, refined earthenware with a lead glaze over a pale body
Transfer-printing of pottery was developed in the 1750s. There were two main methods, underglaze printing and overglaze. For overglaze printing, an engraved copper plate
Creamware
Karl Ens, Kämmer & Kramer, Ernst Bohne Söhne, Műller & Hammer. Marks, in underglaze blue, include the ubiquitous crowned N adopted from Capodimonte by many
Volkstedt_porcelain
UNDERGLAZE
UNDERGLAZE
UNDERGLAZE
UNDERGLAZE
Boy/Male
Biblical
Footprint, supplanting, crookedness, lewdness.
Boy/Male
Australian, Hebrew, Irish
Form of William
Girl/Female
American, British, Celtic, Christian, Czech, Dutch, English, Finnish, French, German, Hungarian, Indian, Polish, Spanish, Swedish
Famous; Noble; Splendid; Shining Pledge; Bright Ruler; Glorious; Bright or Glorious
Boy/Male
Hindu
Conqueror, Arjun
Boy/Male
British, English
From the Old Town
Female
Dutch
, Christian, i.e. follower of Christ.
Girl/Female
Muslim
Down to earth, Cool
Girl/Female
Hindu
Boy/Male
British, Celtic, English
Keel Friend; Keel; Standing in for Ship; A Place Name Alluding to a River; From the Narrow River
Boy/Male
Tamil
Expert, Brave
UNDERGLAZE
UNDERGLAZE
UNDERGLAZE
UNDERGLAZE
UNDERGLAZE
a.
Applied under the glaze, that is, before the glaze, that is, before the glaze is put on; fitted to be so applied; -- said of colors in porcelain painting.