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UDATTA

Vedic accent

is traditionally divided by Sanskrit grammarians into three qualities, udātta उदात्त "raised" (acute accent, high pitch), anudātta अनुदात्त "not raised"

Sanskrit

word generally had one udātta accent except for certain compound words, with the svarita (if any) always following an udātta. The classical language

Epic poetry

itihāsa-kath-ôdbhūtam, itarad vā sad-āśrayam, | catur-varga-phal'-āyattaṃ, catur-udātta-nāyakam, nagar'-ârṇava-śaila'-rtu, | udyāna-salila-kṛīḍā-madhu-pāna-rat'-ôtsavaiḥ

Vedic Sanskrit

However, the contraction of two syllables, the first of which carries an udātta (high pitch) and the second a so-called "dependent svarita" (high falling

Devanagari

bar below the line (◌॒), svarita with a stroke above the line (◌॑) while udātta is unmarked. The end of a sentence or half-verse may be marked with the

Svara

on three accent pitch or levels: svarita (sounded, circumflex normal), udatta (high, raised) and anudatta (low, not raised). However, scholars question

Vedic chant

Heritage of Humanity on November 7, 2008.[a] Vedic chantings use 4 tones – udātta उदात्त (middle tone), anudātta अनुदात्त (lower tone), svarita स्वरित (higher

Mahakavya

itihāsa-kath’’-ôdbhūtam, itarad vā sad-āśrayam, | catur-varga-phal’-āyattaṃ, catur-udātta-nāyakam, nagar’-ârṇava-śaila’-rtu, | udyāna-salila-kṛīḍā-madhu-pāna-rat’-ôtsavaiḥ

Shiksha

used in reciting Vedic and Upanishadic hymns and mantras.[citation needed] Udātta: high pitch Anudātta: low pitch Svarita: descending pitch (usually follows

Pitch-accent language

ancient Indian grammarians described the accent as being a high pitch (udātta) followed by a falling tone (svarita) on the following syllable; but occasionally